Born on December 27th, 1968 as Ramón Jiménez Salazar, his transformation to Diego would arise after a family dispute in the same baptismal pool and “Cigala” thanks to the Losada brothers. Madrilenian from the Rastro, talent came easily to the family and, although his mother Aurora and sister were not professional singers, those who listened to her sing were impressed by the echoes of flamenco in her voice. At the same time, his father, the Andalusian José de Cordoba, earned a living on stages such as Torres Bermejas, El Corral de la Pacheca, and Arco de Cuchilleros. This influence helped a young Diego, barely 12 years old, win first place in the young flamenco artist competition of Getafe, Spain, and a prize in the TVE game show Gente joven, which elevated his status and allowed him to work with top artists such as Cristobal Reyes, Mario Maya and Farruco. In turn, artists such as Camarón de la Isla, Gerardo Núñez, and Vicente Amigo continue to claim proceeds from recordings in the studio.
In 1997, his solo career was born with the album Undebel, produced by David Amaya and with guitarists Antón Jiménez, David Amaya, Paquete, and Tomatito. A second album followed in 2000, titled Entre vareta y canasta and, a year later, another titled Corren tiempos de alegria, featuring some of the jazz musicians who appeared in Fernando Trueba’s film Calle 54. Among them are two artists who would leave an indelible mark on his career: Bebo Valdés and Jerry González. The album was nominated for a Latin Grammy for best flamenco album of the year.
What followed was an album with Jerry González, Piratas del flamenco, which would hold them over for that year touring through Spain and Mexico until the arrival of 2002, the year in which Diego El Cigala tackled one of his dream venues: the Teatro Real of Madrid. From his concert performance with Niño Josele came a CD that turned into a monumental manifesto for the Madrilenian flamenco singer.
Getting to know Bebo and Picasso
After a little close collaboration with Bebo Valdés in the album Corren tiempos de alegria, both felt the need to deepen their work and found in Fernando Trueba the perfect companion to bring to life the all the ideas thought about between vocals and piano. They began just like that, cultivating the album Lágrimas negras almost in secret. In 2003, what began as an intimate and spontaneous project became an unstoppable boom that surpassed the limits of that which is flamenco and that which is Latino and, supported by excellent reviews, the album established itself in the top lists of album sales for the next two years.
El Ondas would only be the first award of a large number: some memorable ones being a golden microphone, five Amigo awards, three Musica awards and, especially, two Grammys and five Latin Grammy nominations, being named Album of the Year by the New York Times’ Ben Ratliff in 2003.
After the wild success of Lágrimas negras, in 2005 Diego el Cigala decided that it was time to return to flamenco and did so with an homage to Pablo Ruiz Picasso. Musicians such as Paco de Lucia, Tomatito, Raimundo Amador, Josemi Carmona, and Jerry González covered the lyrics that helped the album go gold in Spain and Venezuela. After this, in 2006, their first compilation was born, titled Cigala, and they would close out a magnificent year receiving the Latin Grammy for best flamenco album with Picasso en mis ojos, as well as the Grammy for best music video with Blanco y negro, by Fernando Trueba, recorded for Lágrimas negras.
Together with Cuban and Spanish musical greats, in 2008 boleros, coplas and tangos were re-done in what would become the album Dos lágrimas and which would include well-known hits such as Dos gardenias, Maria de la O, Historia de un amor, and Compromiso.
With a taste for mixing music and genres, in April 2010 Diego made another step in his musical career and traveled to Argentina for a new project: Cigala & Tango. This project, which is a live recording with a repertoire based on Argentine tango from the iconic Gran Rex in Buenos Aires, includes the collaboration of the group members of Diego’s band, as well as those who add a rich history of tango to the tracks: Nestor Marconi, and guitarist Juanjo Dominguez. Also contributing, more well-known Argentine artists: Pablo Agri on violin and Diego Sanchez on cello. As the host, friend, and lavish contributor, Andres Calamaro adds his unique mark to the project.
Cigala & Tango was announced in Spain in 2010 by the newspaper El Pais and was able to sell 74,000 copies in its first week during a difficult time for the music industry. Later, in October 2010, it exceeded 100,000 copies sold in Spain alone and ended the year by going gold in Colombia and Argentina, and for the fourth time, it won the prestigious Premio Lunas in Mexico and the Latin Grammy for best tango album.
Reinterpreting the Salsa
Having accumulated new success with his latest tour between 2014 and 2016 which took him around the world beginning in Australia, through all of America and Europe, all the way to Japan, just before the unveiling of his newest work, Diego El Cigala embarked on his “85 Tour”, an historic tour with great success in Europe alongside the Cuban legend Omara Portuondo, that commemorated the anniversary of the diva of Buena Vista Social Club.
Before his latest tour, Diego already knew his new objective: salsa music. This new project, planned to come out after the “85 Tour”, is an exciting and unique project that feature the most relevant musicians of the genre: vocalists, producers, and instrumentalists. Conceived in six different locations—Cali, Puerto Rico, the Dominican Republic, Havana, New York, and Miami—the new project began to take shape after the birth of the new and long-awaited work by Diego El Cigala: Indestructible.
14th Annual Puerto Rico Jazz Jam at Centro de Bellas Artes in Santurce
Hilario Durán and his Latin Jazz Big Band Nominated for 2024 JUNO Awards
John Santos Sextet “Vieja Escuela” CD Release Concert
Past, Present and Future in the Music of Aruán Ortiz
The Latin Side of Jazz Episode 36
Roberto Fonseca: La Gran Diversión
Introducing Percussionist, Composer Vernon Chatlein
Cuban Pianist, Composer Dánae Olano To Release Debut Album: “Children’s Corner”
Vernon Chatlein: Imershón
Corina Bartra Afro Peruvian New Trends Orchestra: Cosmic Synchronicities
Colette Michaan: Earth Rebirth
Adriano Clemente: The Coltrane Suite and Other Impressions
Juan García-Herreros – The Snow Owl: Normas
Raphael Cruz Reaffirms His Commitment To Latin Jazz!
Edy Martínez, the Music Architect Behind the Piano
Rubén Blades con Roberto Delgado & Orquesta · Son de Panamá
Celebrating Emiliano Salvador and his Musical Legacy
Cubano Be, Cubano Bop: A Memorable Night in Toronto with Poncho Sánchez
A Conversation with Percussionist, Bandleader Poncho Sanchez
The Odyssey of Anat Cohen
Paquito D’Rivera & Quinteto Cimarrón: Aires Tropicales
Have You Seen My Nana? The Enduring Genius of Moacir Santos
Enrique Rodríguez: Enriquito – Me Quito El Sombrero
Roberto López Afro-Colombian Jazz Orchestra: Azul
Most Read in 2023
Concert Reviews10 months ago
TO Live Presents: Arturo Sandoval Septet – Bringing The Heat to Toronto
Featured8 months ago
SANTOS: Skin To Skin – Film Review
News10 months ago
Benjamin Lapidus Releases New Album: “Blues For Ochún”
Liner Notes9 months ago
Conrad Herwig: Soulfully Mad for Charles Mingus on The Latin Side of Mingus