The reason I am focusing on Pedrito is that "Timbasa" is as much his project as it is mine. He co-produced the recording and set things up in response to a funny challenge. I ran into him somewhere and he asked me when we were going to collaborate on another project. Sort of goofing on him I said, "Find me a piano player and a bass player who are as good as you and bring a couple of drummers." I had no idea what he was going to deal me! [...]
It would seem that there is no stopping flutist, Mark Weinstein. While the composer and instrumentalist extraordinaire may not have trumped his awe-inspiring expedition into the realm of improvisation, Tales From The Earth (Ota Records, 2009) his album, Timbasa has certainly turned out to be an alchemist's dream. Who would ever have imagined that Miles Davis' languorous performance of "Milestones" could be regenerated as an extravagant and masterful Afro-Cuban adventure? [...]
The amazing thing about Lua e Sol the new record by Mark Weinstein, is that might easily have passed like a ship in the night. It if did, it would appear to be a case of history repeating itself, for his historic recording, Cuban Roots (Catalogue Music, 1967) was similarly treated - almost as if it did not matter, when in fact it was one of the earliest and most important records [...]
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