Tag: Claudio Roditi

Samba Jazz & Tom Jobim Featuring Maucha Adnet Special Guests: Wynton Marsalis & Claudio Roditi Tom Jobim and João Gilberto’s partnership provided one of the most...

You would be forgiven if you thought you were listening to a Brasilian while playing Next Stop Brazil by Phil Marucci. The Portuguese is...

The first point worth making is that Roberto Quartin’s 1970 recordings of Victor Assis Brasil Esperanto and Toca Antonio Carlos Jobim (now combined by...

Editor's Pick · Album of the Month · Victor Rendón has often flown slightly under the populist radar. It has been quite another matter among...

Interview: In Conversation with Percussionist, Composer, Arranger, Educator Victor Rendón Based out of Lehman College in the Bronx and led by percussionist, composer, and arranger,...

Solo instrumental performances can be solitary pursuits, but not for Romero Lubambo and here is why. More than most guitarists, Mr. Lubambo has an...

Few trombone players in Steve Turre’s generation have pushed the boundaries of their instrument further than he has. Born of the blue, hard bopping...

Helio Alves is a pianist whose playing is marked by the unsurpassed beauty of expression. The poetry of this expression is pronounced and manifests...

Most fans, even aficionados of contemporary music, still only vaguely know the great trumpeter Claudio Roditi as the “Brazilian who joined Arturo Sandoval in Dizzy Gillespie’s United Nations Orchestra”. It is a pity that Roditi’s musical reputation rests on so narrow a spectrum in his enormous musical career. Few know, for instance, that Roditi was one of the first Brazilian musicians to relocate in the United States of America: in 1970 as a matter of fact [...]

Most fans, even aficionados of contemporary music, still only vaguely know the great trumpeter Claudio Roditi as the “Brazilian who joined Arturo Sandoval in Dizzy Gillespie’s United Nations Orchestra”. It is a pity that Roditi’s musical reputation rests on so narrow a spectrum in his enormous musical career. Few know, for instance, that Roditi was one of the first Brazilian musicians to relocate in the United States of America: in 1970 as a matter of fact [...]

The “Unsung Heroes” project represents a bold step in redefining the relationship between the jazz artist and the audience. “Unsung Heroes” transforms the jazz tradition even as it affirms it, through the breakthrough use of current technology to make the creative process of a classic form aurally transparent. “Unsung Heroes” allows a crucial segment of the jazz audience – the practitioner/listener – to directly enter the music as a participant [...]

Interview conducted by: Raul da Gama My palms are wet, but I am not nervous—just uncontrollably excited to be talking with Claudio Roditi, an iconic...

The journey from Yucatan to Rio was a really smooth one. It was brimful with samba and bossa nova, with a little baroque thrown in probably the happy memory of a childhood resplendent withy the music of Bach and Vivaldi. And there is plenty of everything in evidence on the record that Gabriel Espinosa has produced to commemorate his spirit journey from the place of his birth [...]

Charles Mingus would have loved the way Claudio Roditi plays his horn. He is most like Clarence “Gene” Shaw. And like Shaw, Roditi knows the importance of the space between the notes; when to play a note; a quick flurry, or merely a short intricate phrase… and when not to play. His voice is unique; his sound is bright, delivered in short, round bursts of emotion and energy [...]