Ralph Irizarry & Timbalaye: 20th Anniversary

That Ralph Irizarry’s percussion has found numerous champions attests to the timbalero’s ability to play in a well-crafted, idiomatic manner in wide-ranging, accessible and passionate settings wherever Latin Jazz is played and then some. He makes playing his unique battery of timbales look a lot easier than it is and he makes it so much of a joy to listen to as well. In any case, this album, 20th Anniversary abounds in substance and authority. Mr. Irizarry’s stick work features lithe, quicksilver playing running rhythmically askance of stern, granite blocks of chords while melodies are brimful of rhapsodic flurries and expansive leaps and also brilliant arpeggios featured in long lines that dart up and down the registers of their instruments.

Ralph Irizarry & Timbalaye - 20th Anniversary
Ralph Irizarry & Timbalaye – 20th Anniversary

Ralph Irizarry is a formidable-sounding virtuoso. His group, Timbalaye respond to his commanding style with virtuosity of their own right through this repertoire. The music – much of which is composed by members of the band – is immediately appealing. Timbalaye musicians give it their all as do the guests and Ralph Irizarry fills the percussion chair with aplomb. The music is smooth and moodily chamber-like by turns. As befits this principal line of work for a group this size. The Afro-Cuban character of the music and the arrangements of the pieces are eminently suited to Mr. Irizarry’s wonderful, clipped and angular style. There is no unnecessary showboating and puffery – just light, lean and pleasingly melodious work from end to end.

Some of these works may have been recorded umpteen times before but somehow Ralph Irizarry and Timbalaye have managed to make them new – even better in many instances. The reason for this is that each musician brings considerable intellect, improvising intuition and a slew of superior musical and technical gifts allowing unique personalities to sing through the music with taste and intelligence. There is also much to enjoy here and each piece is crafted so that it wows even the most discerning aficionado for its fresh, sensitive account of melodies. I refer especially to “Witch Doctor” and “Timbuleria”, both of which exemplify all that is superb about this album of songs.

Anniversaries are always auspicious whatever they are. The music here is beyond criticism for its playing is of the highest order. One has only to listen to the first bars of each song to be drawn into its visceral vortex. The pellucid fluency of Gotham Town or the complex colouristic palette that Ralph Irizarry brings to “P’al Solar” is masterful. All in all this is an album that is not merely gorgeous but also a fine tribute to Latin Jazz, its cultural topography and its stellar cast of musicians who have peopled its history.

Track List – Gotham Town; Ocean Parkway; Back in da Hood; Witch Doctor; Timbuleria; Monte Adentro; La 104; P’al Solar.

Personnel – Aden Pérez: piano; Alex Apollo Ayala: bass (1 – 3, 5 & 6); Israel Cadeo: bass (4 & 8); Hommy Ramos: trombone; Anibal Rojas: tenor saxophone; Dennis Hernández: trumpet; Roberto Quintero: congas, chekere and güiro (1 -3, 5 & 6); Sebastian Nikall: congas and bongo (4 & 8); Ralph Irizarry: timbal kit; Rubén Rodriguez: bass (7); Bobby Franceschini: tenor saxophone (7); Jonathan Powell: trumpet (7); Eric Chacón: flute (3); Christian Nieves: cuatro (5); Jose Eduardo Santana (guicharo (6); Willie Ruiz: güiro and maracas (4 & 8); Gonzalo Grau, Ernesto Briceño and Robert Castillo: palmas (5).

Label – Truth Revolution Records
Release date – October 2015
Running time – 41:11

Raul Da Gama
Raul Da Gama
Based in Milton, Ontario, Canada, Raul is a poet, musician and an accomplished critic whose profound analysis is reinforced by his deep understanding of music, technically as well as historically.

More from author


Please enter your comment!
Please enter your name here

Related posts


Featured Posts

Omar Sosa’s 88 Well-Tuned Drums: A Film by Soren Sorensen

Anyone approaching this film about the iconic Cuban composer and pianist Omar Sosa, by the award-winning filmmaker Soren Sorensen will be almost immediately struck...

Danilo Pérez featuring The Global Messengers: Crisálida

Danilo Pérez began forming his worldview - and aligning his music to it - ever since he came under the sphere of influence of...

The Feeling Messengers, Past and Present (Part II)

Miguelo Valdés & The New Messengers Of Feeling Miguel Valdés, or “Miguelo”, as he has since become known, was born in the province of La...

The Feeling Messengers, Past and Present (Part I)

Preamble Within the current renaissance of popular Cuban music, coupled with the seemingly eternal presence of its first cousin American Jazz, we are once again...

In Conversation with Carlos Cippelletti

Pianist, composer and arranger Carlos Cippelletti, is a promising young Spanish, Franco-Cuban artist from the last generation of Afro-Cuban jazz musicians born outside the...

Celebrating Jane Bunnett: Spirits of Havana’s 30th Anniversary

After dark they gather, the spirits of Havana. Is that a ghostly, but fatback-toned rapping down in the barrio where the great composer and...

Piazzolla Cien Años: Lord of the Tango@100

There is a now famous photograph of the great Ástor Piazzolla that is iconic for so many reasons. Chief among them is the manner...

Omara Portuondo, Multifaceted Gem of Cuban Music

My moon app announces that in 14 hours the Supermoon of May will be here. During a full moon I often get inspired to...

Ray Barretto · Barretto Power

Barretto Power: A Celebratory Reissue on its 50th Anniversary It was 1970 when Fania Records released Barretto Power, one of a series of seminal albums...

El Gran Fellové: Part 3- When my Parents…

When my parents bought their home in 1968, Sunset Beach was just another sleepy little beach town It spanned about one mile in length, sandwiched...

Join our mailing list

Participate in contests, giveaways and more