Antonio Adolfo: Tropical Infinito

antonio-adolfo-tropical-infinito

Editor’s Pick · Album of the Month ·

That Antonio Adolfo should be paying homage to the Jazz side of his music should come as no surprise. Like that great Cuban piano master Frank Emilio Flynn, Adolfo’s pianism shows a strong Jazz influence. But more than the fact that he has imbibed the cadence of Jazz it is these arrangements that are so special on Tropical Infinito. They tell of the uniqueness of Adolfo’s genius, which is his ability to tell stories as if he has written them. Few pianists could pounce on these pieces with such joyful momentum. Try Benny Golson’s ‘Killer Joe’ for size. No less intensity marks both meditative lyricism and the agitated outbursts of Horace Silver’s ‘Song for My Father’. Adolfo’s one-beat-to-the-bar treatment of All The Things You Are’ take wing, abetted by clear dynamic and well-shaped imitative writing.

Antonio Adolfo is a prodigiously talented pianist and one of Brasil’s great pedagogues. These are important factors in his life as a musician. It has kept his music fresh and energetic; yet at the same time there is erudition to his pianism that enables him to imbue his music with a profundity that often escapes musicians younger than him. His superb articulation (in Oliver Nelson’s ‘Stolen Moments’ of the central ‘andante’s detached chords and cross-rhythmic accentuation underlines his version of the chart to some of the finest ever played. In fact, throughout the CD he delights with a feast of fine playing excellently recorded (by Roger Freret) and his focus on the music never wavers.

I’ve long had a soft spot for Antonio Adolfo’s playing. Every record he makes sets a new benchmark on the last recording. It is not just the nobility and imperiousness of his playing, or of these works, or the different narrative tones he is able to bring to each of the songs in question. But he has the phrasing of a great singer captured in moments of incredible emotion. Listen to ‘Whisper Not’ and you’ll see what I mean. It is a rare intégrale in which every work is as technically successful and musically convincing as all its companions. But this is certainly the record when Antonio Adolfo proves that to be true. Moreover all of these tunes evoke a glorious world of Jazz at its most compelling. For that we must praise Antonio Adolfo and his terrific ensemble for an extraordinary performance.

Antonio Adolfo – Tropical Infinito is a 2016 Latin Grammy Awards Nominee in the Best Latin Jazz Album Category

Track List: Killer Joe; Whisper Not; Cascavel; Yolanda, Yolanda; Stolen Moments; Song for My Father; Partido Leve; All The Things You Are; Luar Da Bahia.

Personnel: Antonio Adolfo: piano and arrangements; Jessé Sadoc: trumpet and flugelhorn (4, 7, 8, 9); Marcelo Martins: tenor saxophone and soprano saxophone (4, 9); Serginho Trombone: trombone; Leo Amuedo: electric guitar; Jorge Helder: double bass; Rafael Barata: drums, percussion; André Siqueira: percussion. Special Guest: Claudio Spiewak: acoustic guitar (1, 3, 8).

Label: AAM
Release date: May 2016
Running time: 52:03
Website: antonioadolfomusic.com
Buy album: amazon

Raul Da Gama
Raul Da Gama
Based in Milton, Ontario, Canada, Raul is a poet, musician and an accomplished critic whose profound analysis is reinforced by his deep understanding of music, technically as well as historically.

More from author

LEAVE A REPLY

Please enter your comment!
Please enter your name here

Related posts

11,403FansLike
1,661FollowersFollow
656FollowersFollow
1,857FollowersFollow
5,658FollowersFollow
165SubscribersSubscribe

Featured Posts

Omar Sosa’s 88 Well-Tuned Drums: A Film by Soren Sorensen

Anyone approaching this film about the iconic Cuban composer and pianist Omar Sosa, by the award-winning filmmaker Soren Sorensen will be almost immediately struck...

Danilo Pérez featuring The Global Messengers: Crisálida

Danilo Pérez began forming his worldview - and aligning his music to it - ever since he came under the sphere of influence of...

The Feeling Messengers, Past and Present (Part II)

Miguelo Valdés & The New Messengers Of Feeling Miguel Valdés, or “Miguelo”, as he has since become known, was born in the province of La...

The Feeling Messengers, Past and Present (Part I)

Preamble Within the current renaissance of popular Cuban music, coupled with the seemingly eternal presence of its first cousin American Jazz, we are once again...

In Conversation with Carlos Cippelletti

Pianist, composer and arranger Carlos Cippelletti, is a promising young Spanish, Franco-Cuban artist from the last generation of Afro-Cuban jazz musicians born outside the...

Celebrating Jane Bunnett: Spirits of Havana’s 30th Anniversary

After dark they gather, the spirits of Havana. Is that a ghostly, but fatback-toned rapping down in the barrio where the great composer and...

Piazzolla Cien Años: Lord of the Tango@100

There is a now famous photograph of the great Ástor Piazzolla that is iconic for so many reasons. Chief among them is the manner...

Omara Portuondo, Multifaceted Gem of Cuban Music

My moon app announces that in 14 hours the Supermoon of May will be here. During a full moon I often get inspired to...

Ray Barretto · Barretto Power

Barretto Power: A Celebratory Reissue on its 50th Anniversary It was 1970 when Fania Records released Barretto Power, one of a series of seminal albums...

El Gran Fellové: Part 3- When my Parents…

When my parents bought their home in 1968, Sunset Beach was just another sleepy little beach town It spanned about one mile in length, sandwiched...

Join our mailing list

Participate in contests, giveaways and more