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Monty Alexander’s Harlem Kingston Express Makes a Stop in Toronto

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Monty Alexander Harlem-Kingston Express

Back in 2005, Monty Alexander recorded Concrete Jungle, a heartfelt tribute to Bob Marley and his musical legacy. Teaming up with Jamaican top session players at the historic Tuff Gong Studio in Kingston, Jamaica, the pianist chose and arranged twelve compositions penned by Marley, bringing together Jazz and Reggae. The result was magnificent. A few years later he recorded Stir It Up – The Music of Bob Marley, a great follow-up to Concrete Jungle. In 2011, Harlem-Kingston Express (a concert recorded at Dizzy’s Club Coca Cola in New York City) came out on Motéma Music. The saga continued and in 2013, a studio recording entitled Harlem-Kingston Express Vol. 2: The River Rolls On was released (again on Motéma). Is with this project that Mr. Monty Alexander has been touring and thrilling audiences in US, Canada and Europe, supporting his new album. The Harlem-Kingston Express made a stop in Toronto on the evening of April 25, 2015. It was a magnificent evening that came to an end with the participation of Mr. Monty Alexander’s partner in music and life, Caterina Zapponi. The New York City-based Italian-French singer performed two songs from her latest CD Romantica: “Estate,” a Bruno Martino composition included on Joao Gilberto’s landmark album Amoroso; and the classic immigrant song “Torna a Surriento (Come Back to Sorrento).”

Photos by Atael Weissman (click on photos to enlarge)

Founder, Editor, Webmaster: Latin Jazz Network, World Music Report, That Canadian Magazine. A passionate and committed communicator with a sensibility for the arts based in Toronto, Canada.

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Concert Reviews

Hilario Durán and David Virelles at Koerner Hall in Toronto

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On Thursday, October 13, 2022, representing two generations of Cuban Piano Masters, Hilario Durán and David Virelles got together at Koerner Hall, one of the most magnificent concert venues in Toronto. They were celebrating the release (in Canada) of their new recording Front Street Duets (Alma Records), a project they started working on at the onset of the COVID-19 pandemic in 2020.

Hilario Durán and David Virelles at Koerner Hall in Toronto
Hilario Durán and David Virelles at Koerner Hall in Toronto

Both artists were extremely happy of releasing their duet album after these past two years of the unimaginable worldwide health crisis. They were also excited to be in Toronto, and for being able to accommodate their busy schedules to perform their music in front of a very enthusiastic audience. Durán and Virelles expressed their utmost respect and admiration for each other. David from an early age considered Hilario as one of his musical heroes, a musical giant and influential figure in Cuba, in Canada and abroad. Hilario considers David as one of the most important Cuban pianist of his generation, a big star shining globally, from the highly competitive musical scene in New York.

Hilario Durán and David Virelles at Koerner Hall in Toronto

The concert got started started with Epistrophy, the first tune copyrighted by Thelonious Monk, followed by Sophisticated Lady / In A Sentimental Mood, two compositions by Duke Ellington. Next, Durán and Virelles performed four tunes from their new album: 1. Danza Lucumí, (beautifully arranged by Virelles), a song written by Alejandro García Caturla, a Cuban composer who together with Amadeo Roldán, are considered the leaders of Afro-cubanismo, a nationalist musical trend that incorporates Afro-Cuban songs, rhythms, and dances. 2. Challenge, a new composition by Durán. 3. La Malanga (also arranged by Virelles), a composition by Calixto Varona, one of the most important composers from Santiago de Cuba from the XIX century. 4. Guajira For Two Pianos, the first track on the album Front Street Duet, a fiery composition written by Durán.

Hilario Durán and David Virelles at Koerner Hall in Toronto

The first set came to an end with Airegin (an anadrome of Nigeria), a jazz standard composed by American saxophonist Sonny Rollins in 1954.

The second part of the concert started with a solo performance by David Virelles, Canción Estudio, composed by José Antonio “Ñico” Rojas, a prominent Cuban composer and guitarist, considered as one of the founders of the style of Cuban song called filin. Then it was Durán’s turn for an inspired solo performance of Autumn Nocturne (a notable composition written by Russian-born Josef Myrow with Kim Gannon). Durán had previously recorded this tune on his 1999 Justin Time Records release Habana Nocturna, a superb album that feature acclaimed saxophonist, flautist and bandleader Jane Bunnett, and drummer extraordinaire Horacio “El Negro” Hernández.

Hilario Durán and David Virelles at Koerner Hall in Toronto

Next, both pianists performed a set of four pieces written by Hilario Durán for the recording Front Street Duets. 1. David’s Tumbao, a composition dedicated to David Virelles. Durán is well known for his fiery tumbao style when he’s playing. 2. Punto Cubano #1, inspired on the genre of Cuban music known as punto guajiro or punto cubano, a poetic art with music that became popular in the western and central regions of Cuba in the 17th century and consolidated as a genre in the 18th century. 3. Santos Suárez’s Memories pays tribute to the Havana neighbourhood where Durán grew up, where he fell in love with the piano and became a musician. It brings back cherished memories involving his upbringing, his family and close friends. 4. Milonga For Cuba, a very special tribute dedicated to the people who protested in Havana last summer 2021.

Hilario Durán and David Virelles at Koerner Hall in Toronto

For the encore, Durán and Virelles interpreted a wonderful rendition of Body And Soul, a popular song and jazz standard written in 1930 with music by Johnny Green and lyrics by Edward Heyman, Robert Sour and Frank Eyton. Body and Soul is the track that closes the album Front Street Duets, and also brought to an end a tremendous musical night at Koerner Hall in Toronto.

Photographs by Danilo Navas

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