Pedrito Martínez and his Rumba de la Isla, A Tribute to Maestro Camarón
Rumba de la Isla is the new album that Pedrito Martínez, the prolific Cuban musician, has released. This work is an encounter of two intense and passionate rumbas, the Cuban and the flamenco, where the great Pedrito plays in his own way, the classic songs of one of the most important and cherished Flamenco artists of all times, Camarón de la Isla.
Pedrito Martínez arrived in the United States at the end of the 1990’s to pass his enthusiasm about rumba and guaguancó on to people from different countries, states, cities, towns and streets. More than a decade has passed since this wonderful drummer touched American soil. Every time I hear about Pedrito I am surprised by his songs, albums, live performances and music. Just a few days ago, everyone had the chance to watch this talented artist playing in the most important concert in the history of jazz, the International Jazz Day Global Concert, broadcasted in 196 different nations around the world.
Cultural encounters mean explosion, diversity, amazement, change, miracle, discovery, human knowledge in its most pure expression. Rumba de la Isla is all of that and more. In this album, we have a phenomenal encounter of special musical ambassadors of the purest Cuban and Flamenco music. Along with Mr. Martínez (vocals, congas, chekeré, and cowbells) great figures of both rumbas collaborate; from Spain Niño Josele plays the guitar and Piraña plays the cajón; from New York the contributors are John Benítez, the bass player, Alfredito de la Fé, the Cuban legend of the violin, Román Díaz, cajón, batás and cuchara, among others.
It is not always easy to put together two different rhythms on the same stage. There are great risks of not sounding unique and original. If there is one example of pure originality in Rumba de la Isla it is where Pedrito, arranging all the themes with Román Díaz, takes serious risks and develops a unique sound that moves fascinatingly between the Cuban and Flamenco music. In this CD Pedrito finds new poignant ways to recall the delightful and mesmerizing sound of the African and Spanish beat, accompanied with powerful and very tasteful guitar and violin lines.
Rumba de la Isla, produced by Fernando Trueba and Nat Chediak, was made with rigor, imagination, respect and love for the Cuban and Flamenco musical culture. Respect and love is what Pedrito shows in the final song on this album. In the lyrics Pedrito says: …Un montuno con respeto al cantador sin igual (A montuno with respect to the unrivaled singer)… Nunca te olvidaremos, maestro Camarón (We will never forget you, maestro Camarón)… Hoy la guitarra está llorando la ausencia de un gran cantor… (Today, the guitar is crying because of the absence of a great singer…).
Tracks: 1. Que a mí me vio de nacer, 2. Yo vivo enamorao (I am in love all the time), 3. Dos estrellas relucientes (Two shining stars), 4. Sólo vivo pa’ quererte (I live only to love you), 5. Volando voy, 6. Quiero quitarme esa pena (I want to get over this sadness), 7. No naqueres na’ de mí, 8. Gitana te quiero (Gitana I love you), 9. Homenaje a Camarón (Tribute to Camaron).
Personnel: Pedrito Martínez: vocals, congas, chekeré, cowbells, backing vocals; Niño Josele: guitar, clapping; Alfredo de la Fé: electric violin; John Benítez: acoustic bass and electric bass; Piraña: cajón and clapping; Román Díaz: bata, cajón, spoon, vocals (6, 9); Xiomara Laugart: backing vocals; Abraham Rodríguez: backing vocals.
Label: Calle 54 Records/Sony Music | Release date: March 2013
14th Annual Puerto Rico Jazz Jam at Centro de Bellas Artes in Santurce
Hilario Durán and his Latin Jazz Big Band Nominated for 2024 JUNO Awards
John Santos Sextet “Vieja Escuela” CD Release Concert
Past, Present and Future in the Music of Aruán Ortiz
The Latin Side of Jazz Episode 36
Roberto Fonseca: La Gran Diversión
Introducing Percussionist, Composer Vernon Chatlein
Cuban Pianist, Composer Dánae Olano To Release Debut Album: “Children’s Corner”
Vernon Chatlein: Imershón
Corina Bartra Afro Peruvian New Trends Orchestra: Cosmic Synchronicities
Colette Michaan: Earth Rebirth
Adriano Clemente: The Coltrane Suite and Other Impressions
Juan García-Herreros – The Snow Owl: Normas
Raphael Cruz Reaffirms His Commitment To Latin Jazz!
Edy Martínez, the Music Architect Behind the Piano
Rubén Blades con Roberto Delgado & Orquesta · Son de Panamá
Celebrating Emiliano Salvador and his Musical Legacy
Cubano Be, Cubano Bop: A Memorable Night in Toronto with Poncho Sánchez
A Conversation with Percussionist, Bandleader Poncho Sanchez
The Odyssey of Anat Cohen
Paquito D’Rivera & Quinteto Cimarrón: Aires Tropicales
Have You Seen My Nana? The Enduring Genius of Moacir Santos
Enrique Rodríguez: Enriquito – Me Quito El Sombrero
Roberto López Afro-Colombian Jazz Orchestra: Azul
Most Read in 2023
Concert Reviews10 months ago
TO Live Presents: Arturo Sandoval Septet – Bringing The Heat to Toronto
Featured8 months ago
SANTOS: Skin To Skin – Film Review
News10 months ago
Benjamin Lapidus Releases New Album: “Blues For Ochún”
Liner Notes9 months ago
Conrad Herwig: Soulfully Mad for Charles Mingus on The Latin Side of Mingus