There are many reasons why it is a remarkable travesty of justice that the celebrated Venezuelan drummer and percussionist, Marlon Simon, has had to resort to working a day job to get by – even whilst living in a country such as the United States of America. This is despite his prodigious genius as a drummer and percussionist as well as a composer and pedagogue. Mr Simon is the eldest son of the polymath and philosopher Hadsy Simon and brother of pianist Edward Simon and trumpeter Michael Simon, both of whom can also be heard on this album, Rumba a la Patato, one that he plays with his seminal Afro-Caribbean ensemble The Nagual Spirits.
But the time has come for Mr. Simon to come back to the musical scene, with new ideas and projects, with renewed energy and commitment to his primary artistic profession, to his purpose in life as a dedicated performer and educator. And it is with great excitement that we announce today the revival of Marlon Simon and The Nagual Spirits.
Mr Simon has done much more than to take inspiration from the anthropologist and writer, Carlos Castañeda’s “Nagual” philosophy as espoused through his character and mentor, the Yaqui sorcerer Don Juan Matus in his Ways of Seeing trilogy. He has relocated the way of The Nagual Spirit to the landscape of music. And so in keeping with the teachings of Don Juan Mr Simon’s music with his “(The) Nagual Spirits” is a sonic rendering of what it means to arrive an elevated sense of being; a sort of musical awakening into a rarefied realm so mystical that Mr Simon and those who play his music become at once entranced in a state of mind that he (Carlos Castañeda) calls “total freedom” and which the Yaqui shaman used to create “springboards into new horizons of cognition”.
In Mr Simon’s music – especially this repertoire that is created in praise of the great Afro-Cuban percussionist, Carlos “Patato” Valdés – this results in a ravishing elliptical groove that reverberates throughout the music. It is largely created and sustained by the mesmerising rhythms of the traditional Afro-Caribbean percussion and the Afro-American drumset. It isn’t, however, the kind of Afro-Cuban – the Yoruba rhythmic code – the “clave” that one might be used to from Latin-Jazz. The music breaks free of the regular beat and pulse cycles, sometimes drifting dreamily as if propelled by an invisible mysticism heralded by the shimmering cymbals impelled by pyro-technical drumming by Mr Simon and his percussionist, fellow-Venezuelan, Roberto Quintero.
The music attempts – rather successfully – to also present the spirit of Jazz in a new, “nagual” light. The magical pulsation of “Songo pa’ Monk” is a classic example of this relocation of the “nagual” spirit to music. It’s as if Mr Simon and the musicians of The Nagual Spirits are communicating with each other as well as in the inside of the listener’s mind on an alternate sonic frequency. The music is also playful in all its diabolical complexity and “Sandra Malandra” is an exquisite example of this puckishness. There are also, however, examples of Mr Simon’s gift for expressing great tenderness in song. One can hear this particularly in the elegiac “Ericka”, which is dedicated to his departed daughter, as well as in “Something for Carol”.
The Nagual Spirits is – at its core – made up of Mr Simon’s two brothers, Edward and Michael, Mr Quintero and Peter Brainin. On this occasion, Mr Simon is joined by the majestic Bobby Watson, Brian Lynch, the Venezuelan-born, US-based pianist Luis Perdomo and the great Andy González, who shares the bassist’s chair with John Benitez. Together the musicians take flight, guided at all times by the soaring “nagual” spirit of their high-priest Marlon Simon who leads the music into a rarefied realm while paying homage to one of the most celebrated ancestors with repertoire of mystical beauty on Rumba a la Patato.
Track list – 1: Rumba a la Patato; 2: Songo pa’ Monk; 3: Humble and Innocent; 4: Ericka; 5: Something for Carol; 6: Easy Mood; 7: Sandra Malandra; 8: Belleza India; 9: Clear to Take Off
Personnel – Marlon Simon: drum set, batá drums (1, 4) timbales (7) and percussion (1 – 6, 8, 9); Edward Simon: piano (2, 7, 8); Luis Perdomo: piano (1, 3 – 6, 9); John Benitez: bass (2, 4, 5, 7 – 9); Andy González: bass (1, 3, 6); Bobby Watson: alto saxophone (3, 6, 8) and soprano saxophone (4); Peter Brainin: tenor saxophone (1 – 3, 5 – 7, 9); Brian Lynch: trumpet (1, 2, 5, 7, 9); Michael Simon: trumpet (3, 6); Roberto Quintero: congas (2 – 7, 9), bongo (2), güiro (5)
Released – 2000
Label: Cubop/Ubiquity Records
Runtime – 56:35
YouTube Audio Playlist – Marlon Simon: Rumba a la Patato
In Conversation with Ángel “Papote” Alvarado: Desde Ponce a Nueva York
Gerry López: No Way Back
Pianist, Composer Olivia Pérez-Collellmir Releases Debut Album: “Olivia”
Jorge Luis Pacheco: The Lockdown Album
De Ponce A Nueva York: Ángel “Papote” Alvarado y el Grupo Esencia
Vistel Brothers: Fiesta en el Batey
Christmas Classic “Asalto Navideño Vol. II” Gets New Vinyl Reissue
Bobby Sanabria Multiverse Big Band: Vox Humana
Arturo O’Farrill, Omar Sosa and Etienne Charles Bring Latin Jazz to the DC JazzFest
Fernando Trueba and Javier Mariscal Present “They Shot the Piano Player” at TIFF 2023
The Latin Side of Jazz · Episode 33
The Rodriguez Brothers: Reunited – Live at Dizzy’s Club
Juan García-Herreros – The Snow Owl: Normas
Raphael Cruz Reaffirms His Commitment To Latin Jazz!
Edy Martínez, the Music Architect Behind the Piano
Rubén Blades con Roberto Delgado & Orquesta · Son de Panamá
Celebrating Emiliano Salvador and his Musical Legacy
Cubano Be, Cubano Bop: A Memorable Night in Toronto with Poncho Sánchez
A Conversation with Percussionist, Bandleader Poncho Sanchez
The Odyssey of Anat Cohen
Paquito D’Rivera & Quinteto Cimarrón: Aires Tropicales
Have You Seen My Nana? The Enduring Genius of Moacir Santos
Enrique Rodríguez: Enriquito – Me Quito El Sombrero
Roberto López Afro-Colombian Jazz Orchestra: Azul
Most Read in 2023
Featured Albums6 months ago
Aymée Nuviola feat. Kemuel Roig: Havana Nocturne
News8 months ago
Grammy Nominated Jane Bunnett and Maqueque to release new recording: ‘Playing With Fire’
News8 months ago
Bobby Sanabria MULTIVERSE Big Band to release new recording: “Vox Humana”
Album Reviews8 months ago
Gia Fu Presents: Ángel Meléndez X Big Band Máquina