Of the many pianists that have come out of Cuba throughout its history, the young Emiliano Salvador may be one of the most iconic figures. In his short life, the pianist revolutionised the art of pianism in an almost single handed manner. Not only did Mr. Salvador bring the Latin style, which was all but declared dead back to life, but he also incorporated the much-vaunted modal jazz system of piano playing into his art. He mined chords on the piano much like McCoy Tyner did in the classic John Coltrane recordings and explored their possibilities to a greater degree than anyone before him and was idolised by such great artists as Chucho Valdés and Hilario Durán – the later something of an iconic figure of the newer era.
At various periods in time Cuba’s ever talented musicians have paid tribute in some shape or form to the great Emiliano Salvador but in 2000 came this extraordinary album which seemed to mirror in a most magical manner, Mr Salvador’s own seminal album A Puerto Padre after which it has taken its name. The album has been produced by the reeds and woodwinds player, Juan Manuel Ceruto and has gathered a super-constellation of Cuban musical stars together to pay homage to one of Cuba’s most beloved stars. What is unique about the album is that the homage is idiomatic and not the kind of fawning tribute that seem to follow celebrated artists when they are gone.
Tributo a Emiliano Salvador gets into the heart of Mr Salvador’s music, reaching into its constructive soul where it swirls in mystical pools and eddies as it draws in the listener with vortex-like force into the music. Performers bring their own personality to the music. Who could not pick the dramatic runs of Chucho Valdés and the vaunted arpeggios of Ernan López-Nussa; the fluttering rumble of Tata Güines’ congas and the sensuous caresses of Jorge Luis Papiosco? There is a wholly discerning eloquence and infectious fervour in the various tributes featuring glorious settings of music by, among others, Jorge Luis Valdés Chicoy, Carlos Betancourt, and the great Isaac Delgado, who brings to life the vocal aspect of Emiliano Salvador’s music both literally and figuratively as well.
Some of Emiliano Salvador’s edgier writing is also presented here and is played by younger musicians such as Román Filiú and the Toronto-based wunderkind trumpeter, Alexander Brown. This is perhaps the most rewarding aspect of the recording: the fact that so many younger musicians participate, creating a true continuum of Afro-Cuban music of which Emiliano Salvador was an integral part. Tributo a Emiliano Salvador is not merely a historical album, though; it is more like a celebration of an artist who played an important part in revolutionising the great art of Afro-Cuban Jazz. For that, and that reason alone, this recording ought to be considered essential listening for the true fan and student of Afro-Cuban Jazz as well as for the aficionado of truly fine music.
Track List: Angélica; Para luego es tarde; A puerto padre; En Una mañana de domingo; Danza para cuatro; En una voltana actual; Salseando; Jazz plaza; Angélica (bonus track).
Personnel: Chucho Valdés: piano; Tata Güines: congas; Juan Pablo Torres: trombone; Juan Manuel Ceruto: tenor saxophone and flute; German Velazco: soprano saxophone; Ernan Lopez-Nussa: piano; Jorge Luis Valdés Chicoy: electric guitar; Luis Barrera: vibes; Raul Pineda: drums; Tony Perez: piano; Roberto Riveron: bass; Roman Filiu: alto and soprano saxophones; Henry Hernandez: baritone saxophone; Tomas Ramos: congas and percussion; Tomas El Panga Ramos: congas and percussion; Jose Pepe Espinosa: timbal and percussion; Jorge Luis Papiosco: congas; Alexander Abreu: trumpet and flugelhorn; Roberto Garcia: flugelhorn; Carmelo Andres: trumpet; Carlos Betancourt: trumpet; Isaac Delgado: vocals; Aramis Gilando: backing vocals; Alexander Diaz: backing vocals; Denis Martinez: backing vocals; Miguel Valdés: trumpet; Carlos Perez: trombone; Julio Padron: trumpet; Jose Gerardo Maron Dominguez: viola; Elis Regina Ramos: cello; Carlos Alvarez: trombone; Jose Carlos Acosta: tenor saxophone; Alexander Brown: trumpet
Label: Yemayá Records
Release date: August-October 2000
Running time: 55:02
Buy music on: amazon
About Emiliano Salvador
“Talk to anyone about Cuban piano players and invariably the name EMILIANO SALVADOR will pop up. Most will agree that Emiliano was in a class by himself. His personality and individualism as a soloist were strong enough to assure immediate recognition, yet he was never obtrusive to the point of using gimmicks. He was a brilliant pianist, composer and arranger, and a seminal figure in the resurgence of Latin jazz, a style that had long ago been given up for dead.” Chico Alvarez Peraza, Latin Jazz Net. Read more…
14th Annual Puerto Rico Jazz Jam at Centro de Bellas Artes in Santurce
Hilario Durán and his Latin Jazz Big Band Nominated for 2024 JUNO Awards
John Santos Sextet “Vieja Escuela” CD Release Concert
Past, Present and Future in the Music of Aruán Ortiz
The Latin Side of Jazz Episode 36
Roberto Fonseca: La Gran Diversión
Introducing Percussionist, Composer Vernon Chatlein
Cuban Pianist, Composer Dánae Olano To Release Debut Album: “Children’s Corner”
Vernon Chatlein: Imershón
Corina Bartra Afro Peruvian New Trends Orchestra: Cosmic Synchronicities
Colette Michaan: Earth Rebirth
Adriano Clemente: The Coltrane Suite and Other Impressions
Juan García-Herreros – The Snow Owl: Normas
Raphael Cruz Reaffirms His Commitment To Latin Jazz!
Edy Martínez, the Music Architect Behind the Piano
Rubén Blades con Roberto Delgado & Orquesta · Son de Panamá
Celebrating Emiliano Salvador and his Musical Legacy
Cubano Be, Cubano Bop: A Memorable Night in Toronto with Poncho Sánchez
A Conversation with Percussionist, Bandleader Poncho Sanchez
The Odyssey of Anat Cohen
Paquito D’Rivera & Quinteto Cimarrón: Aires Tropicales
Have You Seen My Nana? The Enduring Genius of Moacir Santos
Enrique Rodríguez: Enriquito – Me Quito El Sombrero
Roberto López Afro-Colombian Jazz Orchestra: Azul
Most Read in 2023
Concert Reviews10 months ago
TO Live Presents: Arturo Sandoval Septet – Bringing The Heat to Toronto
Featured8 months ago
SANTOS: Skin To Skin – Film Review
News10 months ago
Benjamin Lapidus Releases New Album: “Blues For Ochún”
Liner Notes9 months ago
Conrad Herwig: Soulfully Mad for Charles Mingus on The Latin Side of Mingus