Anat Cohen’s Roots of Rio – Featuring Vitor Gonçalves, Cesar Garabini and Serginho – October 17, 7pm; October 18, 9:30pm
Victor Goines’ Roots of Ragtime – Featuring Marcus Printup, Kenny Rampton, Chris Crenshaw, Ted Nash, James Chirillo, Yasushi Nakamura, Chris Pattishall, and Ali Jackson – October 17, 9:30pm; October 18, 7pm
New York, NY – Two of the leading jazz voices on clarinet and saxophone – Anat Cohen and Victor Goines – are set to premiere new works on October 17 and 18 in Jazz at Lincoln Center’s The Appel Room (Frederick P. Rose Hall, Broadway at 60th Street, New York, New York), offering their fresh take on the roots of Choro and Ragtime, respectively.
Cohen, who has won a flurry of awards from the Jazz Journalists Association while consistently topping DownBeat polls in various categories, will lead Choro Aventuroso, featuring Vitor Gonçalves on accordion and piano, Cesar Garabini on 7-string guitar, and Serginho on pandeiro, a Brazilian tambourine, in Roots of Rio. Choro, which means “to cry” in Portuguese, is a genre often referred to as “The New Orleans Jazz of Brazil.” Improvisation and syncopation are key hallmarks of Choro, which originated in Rio de Janeiro in the early 19th century. The quartet will play waltzes, mazurkas and African-Brazilian rhythms such as the Lundu during their virtuosic exploration of Choro’s origins. Anat Cohen’s Roots of Rio performances will take place in The Appel Room on October 17 at 7pm and October 18 at 9:30pm.
For Roots of Ragtime, Goines, a native of New Orleans and a gifted composer with over 70 original compositions to his credit who the Chicago Tribune calls one of “the great melodists in jazz today,” revisits the songbooks of Scott Joplin, Joseph Lamb, and James Scott and premieres a new composition in the spirit of Ragtime. Joining Goines on stage will be trumpeters Marcus Printup and Kenny Rampton, trombonist Chris Crenshaw, saxophonist Ted Nash, guitarist/banjoist James Chirillo, bassist Yasushi Nakamura, pianist Chris Pattishall, and drummer Joe Saylor. Victor Goines’ Root of Ragtime premieres in The Appel Room on October 17 at 9:30pm and October 18 at 7pm.
These concerts will stream live in high-definition audio and video for free to a global audience via jazz.org/live. The concerts will also be available on Livestream’s mobile and connected TV applications with real-time DVR, chat, photos and other materials available to fans worldwide.
Jazz at Lincoln Center’s 2014–15 Concert and Education Season features a season-long journey “through the Americas.” Through a diverse array of concerts and programs, Jazz at Lincoln Center’s 27th season will explore how jazz has both integrated and influenced the rich musical traditions of the Caribbean and North, South, and Central America. This season, Jazz at Lincoln Center also celebrates the 10th anniversary of Frederick P. Rose Hall, “The House of Swing,” which opened its doors on October 18, 2004. Click here for the complete season schedule.
Tickets for Anat Cohen’s Roots of Rio and Victor Goines’ Roots of Ragtime in The Appel Room start at $45. Tickets can be purchased through jazz.org 24 hours a day or CenterCharge at 212-721-6500, open daily from 10am to 9pm. Tickets can also be purchased at the Jazz at Lincoln Center Box Office, located on Broadway at 60th Street, ground floor. Box Office hours: Monday-Saturday from 10am to 6pm (or 30 minutes past curtain) and Sunday from noon to 6pm (or 30 minutes past curtain).
Note: Hot Seats, $10 seats for select 9:30pm performances in The Appel Room (excluding Jazz & Popular Song concerts), are available for purchase to the general public on the Wednesday prior to each performance. Subject to availability. Jazz at Lincoln Center’s Hot Seats Ticket Discount Program is supported by the New York City Department of Cultural Affairs in partnership with the City Council.
Source: Jazz at Lincoln Centre
Bobby Sanabria MULTIVERSE Big Band to release new recording: “Vox Humana”
Celebrating 25 years! The multi-Grammy nominated Bobby Sanabria MULTIVERSE Big Band is set to release their new recording: “Vox Humana” featuring vocalists Janis Siegel, Antoinette Montague, Jennifer Jade Ledesna.
Recorded Live at Dizzy’s Club Cola in NYC
Release Date: Spring 2023
Record Label: Jazzheads
New York – January 18th – On the heels of their Grammy nominated and 2019 Jazz Journalists Association Album of the Year Award winning critically acclaimed masterwork, West Side Story Reimagined, and in celebration of their 25th anniversary – drummer, percussionist, composer, arranger, bandleader, educator, Bobby Sanabria and his Multiverse Big Band return with their most ambitious work to date, VOX HUMANA.
Bobby states, “Over the course of our many Grammy nominated albums we’ve occasionally featured tracks with vocals. But I’ve always envisioned doing an entire vocal album framed by the Multiverse Big Band. Now with three of today’s greatest contemporary singing talents – multi-Grammy award winner Janis Siegel from the Manhattan Transfer, blues and jazz Queen Antoinette Montague, and the multilingual powerhouse, Jennifer Jade Ledesna, today that vision has finally become a reality.
The individually distinct voices that Janis, Antoinette, and Jennifer possess make them each unique. But the X factor they all have is they are all masterful improvisors in the best sense of the jazz tradition. Added to the mix is our great conguero, Oreste Abrantes, who also sings lead on two tracks. Having that multi- dimensional vocal talent framed by the power, nuance, and tonal variety that only a big band can provide, combined with the repertoire I’ve chosen to showcase them and the band and the incredible variety of Afro- Latin, straight ahead swing, funk, R&B, and rock rhythmic vocabulary that we are masters of and readily have at our disposal in the Multiverse, I believe VOX HUMANA will prove to be our greatest achievement.
That repertoire has a personal meaning to me as I see VOX HUMANA as a biographical work. I’m a product of my environment. I’m a Nuyorican, a person of Puerto Rican descent growing up in New York City. In my case the South Bronx during a time period when pop, jazz, R&B, rock, funk, and Latin music of all kinds all co-existed as equals. It was the last era when the big bands of masters like Duke Ellington, Count Basie, Buddy Rich, Machito, Tito Puente, Tito Rodriguez, Don Ellis, and more were in the public eye, and they became my heroes. Vocalists who could deliver a message with subtlety, nuance, and when needed, power, were called upon to deliver poetry crafted by genius song writers. You’ll hear all that and more through the soaring vocals and improv talents of Janis, Antoinette, and Jennifer, along with Oreste, as well as the incredible jazz-oriented arrangements and exciting Pan Afro-Latin rhythms played by a big band that literally takes no prisoners when it hits the stage.”
The repertoire Bobby speaks of includes 1 original and 12 unique re-workings of pop hits like Spooky, Christine Aguilera’s Genie In a Bottle, and Steely Dan’s Do It Again; NEA Jazz Master Eddie Palmieri’s, Mi Congo and Puerto Rico along with the island’s greatest composer, Rafael Hernandez’s, Capullito De Aleli; the classic Joe Cuba R&B bolero, To Be With You; Brazilian standards Partido Alto and Amazonas; and from the world of Broadway theater, I Love You Porgy, and the iconic jump blues, Let The Good Times Roll. The CD also includes an original message bearing piece, Who Taught You That, as well as what may possibly be the most exciting interpretation of the Ellington associated classic, Caravan, and that has ever been recorded.
Adding to the excitement of the performance, VOX HUMANA was recorded in front of a live audience. Bobby states, “As with our previous work, we recorded VOX HUMANA live at NYC’s Dizzy’s Club Coca – Cola. My musicians represent NYC’s finest. That means they’re the greatest in the world. The added level of excitement created by the audience inspired us in the MULTIVERSE Big Band to a heightened new level of performance virtuosity that listeners will hear explode out of the speakers just as the audience at Dizzy’s experienced in person.”
The history of the Bobby Sanabria MULTIVERSE Big Band is indeed one based on his rich multi-cultural heritage as a Nuyorican growing up in New York City’s South Bronx. His concept of having a big band that has no genre boundaries with limitless possibilities was forged 25 years ago back in 1998. It has yielded a series of groundbreaking, critically acclaimed albums that have all been Grammy-nominated with the band thrilling audiences worldwide at venues like the Kennedy Center, Lincoln Center, The Ravinia Festival, Verona Jazz Festival in Europe, and more.
Content Source: Two for the Show Media
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