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Marlon Simon Awarded 2022 Guggenheim Fellowship

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Marlon Simon
Drummer, composer and educator Marlon Simon

Educator, Percussionist, Composer Marlon Simon has been awarded a 2022 Guggenheim Fellowship in the field of Music Composition.

Guggenheim Fellowships are intended for mid-career individuals who have demonstrated exceptional capacity for productive scholarship or exceptional creative ability in the arts and exhibit great promise for their future endeavors. 

Fellowships are awarded through an annual competition open to citizens and permanent residents of the United States and Canada. Candidates must apply to the Guggenheim Foundation in order to be considered.

The Foundation receives approximately 3,000 applications each year. No one who applies is guaranteed success in the competition and there is no prescreening; all applications are reviewed. Approximately 175 Fellowships are awarded each year.

Announcing the 2022 Guggenheim Fellows

180 scientists, writers, scholars, and artists honored across 51 fields

(New York, NY) On April 7, 2022, the Board of Trustees of the John Simon Guggenheim Memorial Foundation approved the awarding of Guggenheim Fellowships to a diverse group of 180 exceptional individuals. Chosen from a rigorous application and peer review process out of almost 2500 applicants, these successful applicants were appointed on the basis of prior achievement and exceptional promise. See the list of new Fellows here.

“Now that the past two years are hopefully behind all of us, it is a special joy to celebrate the Guggenheim Foundation’s new class of Fellows,” said Edward Hirsch, President of the Guggenheim Foundation and 1985 Fellow in Poetry. “This year marks the Foundation’s 97th annual Fellowship competition. Our long experience tells us what an impact these annual grants will have to change people’s lives. The work supported by the Foundation will aid in our collective effort to better understand the new world we’re in, where we’ve come from, and where we’re going. It is an honor for the Foundation to help the Fellows carry out their visionary work.”

In all, 51 scholarly disciplines and artistic fields, 81 different academic institutions, 31 states and the District of Columbia, and four Canadian provinces are represented in this year’s class of Fellows, who range in age from 33 to 75. Close to 60 Fellows have no full-time college or university affiliation. Many Fellows’ projects directly respond to issues like climate change, pandemics, Russia, feminism, identity, and racism. See the full Press Release here.

About Marlon Simon

Educator, Percussionist, Composer Marlon Simon was born in the small town of Punta Cardón, Falcón state, Venezuela. His first contact with music, at the age of 10, came from his father, Hadsy Simon, a philosopher with deep insights into spiritualism and metaphysics, and guitarist and vocalist. He came to the United States in 1987 and began formal studies on drums at The University of The Arts in Philadelphia. In 1988, he received a grant from the Philadelphia Music Foundation. He moved to New York in 1989, and later obtained his Bachelor of Arts degree in Jazz and Contemporary Music from the New School for Social Research. During his studies, Marlon worked locally in the city, developing his unique style and gaining the respect of noted jazz and Latin musicians.

Marlon has worked with such luminaries as Hilton Ruíz, Dave Valentin, Jerry González, Chucho Valdés and Bobby Watson to mention a few. After several years, he formed his own Latin jazz ensemble, Marlon Simon and The Nagual Spirits. With his own group Marlon got the opportunity to showcase his talents as a composer and drummer, defining a distinct approach to Latin Jazz. As a leader Marlon has since released: The Music of Marlon Simon (K-Jazz, 1999), followed by Rumba a la Patato (Cubop Records 2000) and Live in La Paz, Bolivia (Intrigue Records, 2005) and later In Case You Missed It (Jazzheads, 2006). After spending much time in France, Marlon forged an alliance with several local musicians and produced two critically received recordings. These are: French Latin Jazz Project – Afrocuban & Live (Chantilly Negra Productions, 2008) and Venezuelan French Project (Proyecto Venezolano Francés) – Racines (Raíces) (Chantilly Negra Productions, 2011). The 2008 recording is a prodigious example of excellence in  Latin Jazz while the 2011 recording reflects the collision between Venezuelan and French-Celtic-Music. Marlon’s music has frequently taken him around the globe apart from France to Canada, Poland, Australia, Netherland Antilles, USA and, of course, various countries in South America. Read full bio at: https://marlonsimon.com/biography

Founder, Editor, Webmaster: Latin Jazz Network, World Music Report, That Canadian Magazine. A passionate and committed communicator with a sensibility for the arts based in Toronto, Canada.

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Bobby Sanabria MULTIVERSE Big Band to release new recording: “Vox Humana”

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Drummer, percussionist, composer, arranger, bandleader, educator, Bobby Sanabria
Drummer, percussionist, composer, arranger, bandleader, educator, Bobby Sanabria

Celebrating 25 years! The multi-Grammy nominated Bobby Sanabria MULTIVERSE Big Band is set to release their new recording: “Vox Humana” featuring vocalists Janis Siegel, Antoinette Montague, Jennifer Jade Ledesna.

Recorded Live at Dizzy’s Club Cola in NYC
Release Date: Spring 2023
Record Label: Jazzheads

New York – January 18th – On the heels of their Grammy nominated and 2019 Jazz Journalists Association Album of the Year Award winning critically acclaimed masterwork, West Side Story Reimagined, and in celebration of their 25th anniversary – drummer, percussionist, composer, arranger, bandleader, educator, Bobby Sanabria and his Multiverse Big Band return with their most ambitious work to date, VOX HUMANA.

Bobby states, “Over the course of our many Grammy nominated albums we’ve occasionally featured tracks with vocals. But I’ve always envisioned doing an entire vocal album framed by the Multiverse Big Band. Now with three of today’s greatest contemporary singing talents – multi-Grammy award winner Janis Siegel from the Manhattan Transfer, blues and jazz Queen Antoinette Montague, and the multilingual powerhouse, Jennifer Jade Ledesna, today that vision has finally become a reality.

The individually distinct voices that Janis, Antoinette, and Jennifer possess make them each unique. But the X factor they all have is they are all masterful improvisors in the best sense of the jazz tradition. Added to the mix is our great conguero, Oreste Abrantes, who also sings lead on two tracks. Having that multi- dimensional vocal talent framed by the power, nuance, and tonal variety that only a big band can provide, combined with the repertoire I’ve chosen to showcase them and the band and the incredible variety of Afro- Latin, straight ahead swing, funk, R&B, and rock rhythmic vocabulary that we are masters of and readily have at our disposal in the Multiverse, I believe VOX HUMANA will prove to be our greatest achievement. 

Bobby Sanabria MULTIVERSE Big Band: "Vox Humana"
Bobby Sanabria MULTIVERSE Big Band: “Vox Humana”

That repertoire has a personal meaning to me as I see VOX HUMANA as a biographical work. I’m a product of my environment. I’m a Nuyorican, a person of Puerto Rican descent growing up in New York City. In my case the South Bronx during a time period when pop, jazz, R&B, rock, funk, and Latin music of all kinds all co-existed as equals. It was the last era when the big bands of masters like Duke Ellington, Count Basie, Buddy Rich, Machito, Tito Puente, Tito Rodriguez, Don Ellis, and more were in the public eye, and they became my heroes. Vocalists who could deliver a message with subtlety, nuance, and when needed, power, were called upon to deliver poetry crafted by genius song writers. You’ll hear all that and more through the soaring vocals and improv talents of Janis, Antoinette, and Jennifer, along with Oreste, as well as the incredible jazz-oriented arrangements and exciting Pan Afro-Latin rhythms played by a big band that literally takes no prisoners when it hits the stage.”

The repertoire Bobby speaks of includes 1 original and 12 unique re-workings of pop hits like Spooky, Christine Aguilera’s Genie In a Bottle, and Steely Dan’s Do It Again; NEA Jazz Master Eddie Palmieri’s, Mi Congo and Puerto Rico along with the island’s greatest composer, Rafael Hernandez’s, Capullito De Aleli; the classic Joe Cuba R&B bolero, To Be With You; Brazilian standards Partido Alto and Amazonas; and from the world of Broadway theater, I Love You Porgy, and the iconic jump blues, Let The Good Times Roll. The CD also includes an original message bearing piece, Who Taught You That, as well as what may possibly be the most exciting interpretation of the Ellington associated classic, Caravan, and that has ever been recorded. 

Adding to the excitement of the performance, VOX HUMANA was recorded in front of a live audience. Bobby states, “As with our previous work, we recorded VOX HUMANA live at NYC’s Dizzy’s Club Coca – Cola. My musicians represent NYC’s finest. That means they’re the greatest in the world. The added level of excitement created by the audience inspired us in the MULTIVERSE Big Band to a heightened new level of performance virtuosity that listeners will hear explode out of the speakers just as the audience at Dizzy’s experienced in person.”

The history of the Bobby Sanabria MULTIVERSE Big Band is indeed one based on his rich multi-cultural heritage as a Nuyorican growing up in New York City’s South Bronx. His concept of having a big band that has no genre boundaries with limitless possibilities was forged 25 years ago back in 1998. It has yielded a series of groundbreaking, critically acclaimed albums that have all been Grammy-nominated with the band thrilling audiences worldwide at venues like the Kennedy Center, Lincoln Center, The Ravinia Festival, Verona Jazz Festival in Europe, and more.

Content Source: Two for the Show Media

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