Michael Simon: Asian Connection

Michael Simon - Asian ConnectionIt’s easy sometimes to forget that the extraordinarily-gifted trumpeter and flugelhorn-player Michael Simon came from Venezuela. He has been making a living out of music whilst residing in the Netherlands. However, he has a very strong connection to South-East Asia, where he has performed extensively, even making his last two records there as he has this album Asian Connection. The band not only includes a wonderful saxophonist in Minyen Hsieh, but also Chung Yufeng, who performs and solos – quite extensively on this album – on the traditional Chinese pipa. Although that instrument may belong to the lute family, it is highly versatile and Miss Yufeng plays it with a great deal of virtuosity, bending and twisting notes until the intervals reach considerably dramatic heights or depths away from their original values. Miss Yufeng also – quite magically – often hits exquisite blue notes when she plays altering the music’s deeply-felt emotion and dramatically expanding its colours with nuanced beauty.

On Asian Connection Michael Simon is at the top of his game. His playing is vivid and especially poignantly so on the two-part piece “Dance of the Yao Tribe”. His genius here is to take this traditional music and link it like an elegant railway to Jazz, folk and tango often in the ambient domain of a 21st century conservatoire. But to describe it as such gives it the impression of overcooking when in fact the whole project is a masterpiece of subtlety. Mr Simon’s take on the lineage of the cool is less than conventional here – bending and swaying in the face of a Chinese musical breeze. We hear him summoning woodwind-like tones from the instrument which float benignly over the sound of Miss Yufeng’s pipa, Minyen Hsieh’s saxophones, Michael Veerapen’s piano, Daniel Foong’s bass and John Ashley Thomas’ drums. Always Mr Simon adds atmospherics to the ensemble that in its turn adds a rich and entirely unpredictable harmonic foundation to this music.

The surprises when they come, are effective but discreet: a gamelan-like riff is played as pizzicato harmonics, a delicate curlicue of a bass line underpins what sounds like a keening Gaelic lament, and a close-knit passage develops from a single phrase, then dissolve into a rippling jazz groove that gently builds under Mr Hsieh’s complex, twisting runs. “Through Sand Storms and Hazy Dawns” is an extraordinary example of this and the musicians play the music injecting a cinematic quality to it, launching into its broodingly colourful, tumbling groove before fading the music out and cutting loose on the funky grooves of “Thumbs Up”. This is touching and toe-tapping, and certainly, music to die for…

Track list – 1: Chino Soy; 2: Dance of the Yao Tribe I; 3: Dance of the Yao Tribe II; 4: In That Silence; 5: Mountain Song; 6: The Sleepless Cuckoo; 7: Through Sand Storms and Hazy Dawns; 8: Thumbs Up

Personnel – Michael Simon: trumpet and flugelhorn; Minyen Hsieh: tenor and soprano saxophones; Chung Yufeng: pipa; Michael Veerapen: piano; Daniel Foong: bass; John Ashley Thomas: drums

Released – 2018
Label – Independent
Runtime – 1:01:51

Raul Da Gama
Based in Milton, Ontario, Canada, Raul is a poet, musician and an accomplished critic whose profound analysis is reinforced by his deep understanding of music, technically as well as historically.

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