Ibrahim Maalouf: S3NS

Ibrahim Maalouf
French-Lebanese jazz trumpeter and composer Ibrahim Maalouf. Photo taken at Festival du Bout du Monde in 2014 – Wikipedia

There is, quite simply, no trumpeter in the world today who sounds like Ibrahim Maalouf. This has everything to do with his instrument, which is reported to be similar to the microtonal one invented by his father. But instrument (with all of its idiosyncratic features) notwithstanding, Mr Maalouf has the ability to infuse his laying with a rare degree of emotion even when – unlike many of his contemporaries – he is playing extremely loudly for considerable lengths of time on a given piece of music. This is not to say that he does so, but when he does play at extreme fortississmo with a sforzando added on top of everything else, Mr Maalouf’s playing can reveal incredible nuances of emotion.

Ibrahim Maalouf: S3NS

Editor’s Pick · Featured Album

On top of all of his unique virtuoso abilities is the cultural advantage, for Mr Maalouf is of Middle Eastern (Lebanese) origin and his roots lie deep in the musical topography that includes such legendary musicians as Oum Khaltoum, Fayrouz and Najah Salaam. However, Mr Maalouf chose to play primarily contemporary western music, improvising as the great Jazz trumpeters have seduced him to. The result is music that is breathtaking to listen to. S3NS is not simply one of these recordings; it is probably his finest work to date. In fact, if he never makes another recording in his life again, his reputation will most certainly rest on this one.

The album begins with a soaring song, “Una rosa blanca” which is inspired both by José Marti’s seminal poem “Cultivo una rosa blanca” and (figuratively-speaking), the hand of friendship extended by President Obama when he began the process of disentangling the US from the decades-long embargo imposed on Cuba. Mr Obama’s recitation of the poem by Marti opens the song followed by a baleful trumpet that begins to soar and elevating both volume and emotion until both are absolutely stratospheric. We never really come down from that rarefied plane as Mr Maalouf’s music unfolds throughout this magnificent album, S3NS. This is his 11th studio recording project as a leader, released in September 2019.

The trumpeter is joined by a cast of stellar soloists – Harold López-Nussa on “Una rosa blanca”, the tenor saxophonist Irving Acao whose wailing solo matches Mr Maalouf’s appears on “Harlem”. “Na Na Na” features a breathtaking performance by the virtuoso violinist Yilian Cañizares; pianist Alfredo Rodríguez has a masterful turn on “N.E.G.U” and Roberto Fonseca’s pianism dazzles soon after, on “Gebrayel” (the Arabic rendering of the Latin Gabriel – a reference no doubt to the archangel of the same name).

But throughout this music it is the mastery of Mr Maalouf that takes your breath away. Every piece on S3NS is played with languid ease, each melodic variation following the other, quite inexorably, his sumptuous trumpet sound brilliantly caught on this recording. His virtuosity always dazzles in every sense as he reels off one masterpiece of music after the other with debonair; almost insolent ease. This is absolutely an album to die for.

Track list – 01: Una rosa blanca; 02: Happy Face; 03: S3NS; 04: Harlem; 05: Na Na Na; 06: N.E.G.U; 07: Gebrayel; 08: All I Can’t Say; 09: Radio Magallanes

Personnel – Ibrahim Maalouf: trumpet and electronics; Francois Delporte: electric guitar; Stephane Galland: piano; Denys Danielides: soubassophon; Yacha Berdah: trumpet/ sampler and computer; and featuring – Harold López-Nussa: piano; Yilian Cañizares: violin; Irving Acao: tenor saxophone; Alfredo Rodriguez: piano; Roberto Fonseca: piano

Released – 2019
Label – Mi’ster
Runtime – 45:57

Raul Da Gama
Based in Milton, Ontario, Canada, Raul is a poet, musician and an accomplished critic whose profound analysis is reinforced by his deep understanding of music, technically as well as historically.

More from author


Please enter your comment!
Please enter your name here

Related posts


Featured Posts

Omara Portuondo, Multifaceted Gem of Cuban Music

My moon app announces that in 14 hours the Supermoon of May will be here. During a full moon I often get inspired to...

Ray Barretto · Barretto Power

Barretto Power: A Celebratory Reissue on its 50th Anniversary It was 1970 when Fania Records released Barretto Power, one of a series of seminal albums...

El Gran Fellové: Part 3- When my Parents…

When my parents bought their home in 1968, Sunset Beach was just another sleepy little beach town It spanned about one mile in length, sandwiched...

El Gran Fellové: Part 2- Enter Chocolate & Celio González

Early Sunday morning… I awoke to the pleasant surprise of a Google Alert in my email. I clicked to find Variety Magazine had published an...

El Gran Fellové: Part 1- The Beginning

Francisco Fellové Valdés (October 7, 1923 – February 15, 2013), also known as El Gran Fellové (The Great Fellove), was a Cuban songwriter and...

Bobby Paunetto, New York City and The Synthesis of Music

Bobby Paunetto was an unforgettable composer, arranger, musician and recording artist. Latin Jazz Network honors him on the tenth anniversary of his death (8.10.10). His...

Jazz Plaza 2020: Ancient to the Future

Chapter four of our series: 35th Jazz Plaza International Festival in Havana In recent months I found myself in profound reflection of the term...

Ray Martinez and the Forgotten Legacy of Jazz

Sometime in the very near future, several of the jazz world's best known writers and musicologists will meet in some obscure conclave to pool...

A Brief History of the Cuban Style Conjunto

1930: The Orquesta Típica is out and the Conjunto is in The year 1930 marked a turning point in the development of popular Cuban music....

Jazz Plaza 2020: Speaking in Tongues

Chapter three of our series: 35th Jazz Plaza International Festival in Havana Featured photo: Los Muñequitos de Matanzas at El Tablao in Havana, by Danilo...

Join our mailing list

Participate in contests, giveaways and more