Miguel Zenon – Rayuela Concert Review

“With Rayuela, Zenón once again demonstrated why he is considered one of the best jazz musicians and one of the most creative minds in music today.”

Review and Photographs by Wilbert Sostre

With the original group that recorded his most recent album Rayuela, Puerto Rican altoist virtuoso Miguel Zenón took the stage of the Inter American University of Puerto Rico. The music from the album Rayuela is completely different from Zenón previous projects. On Rayuela, instead of fusing Jazz with Puerto Rican music like he did on the critically acclaimed albums, Jíbaro, Esta Plena and Alma Adentro: The Puerto Rican Songbook, this time Zenón decided to compose music based on one of the best books in Latin American literature: “Rayuela,” by Julio Cortázar.

Miguel ZenonZenón composed half of the compositions, the French scenes from the book, and pianist Laurent Coq composed the other half, the Argentina scenes. These are compositions with an eclectic blend of textures, sounds, dense harmonics, provocative and richly inventive melodies, and technically challenging structures with an almost cinematic feel.

The concert started with a composition by Laurent Coq, the waltz like “Talita,” followed by Zenón’s classical sounds of “La Muerte de Rocamadour” highlighted by Dana Leong’s cello. A sublime piano intro led the way to the exotic sounds of Coq’s “Gekrepten”, followed by Zenón’s composition “Moreliana” based on chapter 151 of “Rayuela” (the book). After a short recess, the group came back to the stage to play Coq’s “Traveler” and “Buenos Aires”. Dana Leong masterfully played the trombone on these two pieces. The quartet almost ended the night with Zenón’s piece “El Club de la Serpiente”. After a standing and well deserved ovation the quartet closed the show with Zenón’s cinematic composition “La Maga”.

Besides the alto sax of Miguel Zenón and the piano of Laurent Coq, the instrumentation is not typical for a jazz quartet. Trombonist Dana Leong also plays the cello and drummer Dan Weiss also plays the hindu tabla. These instruments give the music an exotic and classically tinged sound.

Even though the music feels very structured, there is plenty of space for each one of these amazing musicians to display their virtuosic and ingenious improvisations.

With Rayuela, Zenón once again demonstrated why he is considered one of the best jazz musicians and one of the most creative minds in music today.

Wilbert Sostre
Member of the Jazz Journalist Association since 2010. Member of the Ponce International Jazz Festival Commitee. Studied music and guitar, 1985-86. Music studies at the University of Puerto Rico and the Music Conservatory of Puerto Rico, 1986-1990.

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