Feel The Heat: Arturo Sandoval at Flato Markham Theatre

Arturo Sandoval at Flato Markham Theatre

Arturo Sandoval – Cuban Focus Series – March 23, 2019

Spring had arrived but you wouldn’t know it by the temperature outside. Only the billboard with the promise, Feel the Heat of the Cuban Beat – Arturo Sandoval, made me leave the comfort of my car. I was ready for some hot trumpet playing from the ten time Grammy award winning Arturo Sandoval.

The Arturo Sandoval supporting musicians for this performance: Mike Tucker (tenor saxophone), Max Haymer (piano), John Belzaguy (bass), Johnny Friday (drums) and Tiki Pasillas (percussion, vocals).

The opening number was a swinging jazz tune, played at a fast tempo, an upbeat tune giving the soloists lots of room to manoeuvre. Sandoval dug right in with a glorious tone, lightning fast runs and wonderful phrasing. His playing was on fire this night and he seemed to create the spark that set the other musicians to fire back with their own exemplary playing. The piano player Haymer took a wonderful solo in bebop tradition showing off his tremendous jazz chops. The saxophonist Tucker had a pleasing tone and style that complimented Sandoval’s playing. The rhythm section played as a tight unit that fed into the excitement. Tucker and Sandoval would dive into a spirited call and response that built to an exciting crescendo.

The second song performed went into ballad territory. With beautiful, soulful trumpet playing by Sandoval and ending with his vocal scatting/mumbling, reminiscent of something Clark Terry was famous for. But no doubt paying tribute to Sandoval’s mentor, Dizzy Gillespie who was the master of scatting.

Feel the Heat of the Cuban Beat

The next song took the audience into a funky state of mind, think Tower of Power. The tenor sax of Tucker was smoking and the percussion and drums beat out a funky Latin frenzy. Everybody in the band was singing “Shake It Funky Baby”.   After that tune, Sandoval addressed the audience, he spoke of people always placing jazz in little square boxes and asking, “What you call that man”? Sandoval’s response, “Music Man”.

Sandoval shouts into the audience, “Hilario are you here”? Hilario Durán famed Toronto, by way of Cuba, pianist, composer, bandleader and educator, stood up and took a wave. Sandoval and Durán go way back to their days in Cuba. Durán was Sandoval’s pianist, arranger and musical director for many years. The last time I saw them play together, 2008 at the Toronto Jazz Festival, when Durán was invited on to the stage to perform with Sandoval’s group. The Hilario Durán Trio opened for Sandoval that evening and gave a most memorable performance.

Sandoval went on to explain that he has a love hate relationship with the trumpet. “Trumpet hurts the whole body. What I really wanted to be was a piano player. And with Hilario’s permission I’m going to play piano” he said. He then positioned himself behind the piano and the audience was treated to a trio performance, piano, bass and drums of a jazz standard that sounded to me like “Embraceable You”.

The band returned to back Sandoval up as he ventured into the audience, meeting and greeting, telling stories and jokes. It reminded me of a club scene, very intimate. He asked the sound technician to give him some reverb on the microphone and then proceeded to serenade the audience with his Salsa tinged rendition of “When I Fall in Love”.

Highlights for me included that romping opening number that set the tone for the evening. As well as the best maraca playing I’ve ever heard from the excellent percussionist Tiki Pasillas on the tune, “Suena”. Of course, the still mighty trumpet playing of the fantastic Arturo Sandoval, maybe not as many blistering high note solos as back in 2008, yet still a superstar performance by a fiery entertainer.

All photos of Arturo Sandoval by Atael Weissman

Paul J. Youngman
An independent journalist, based in Toronto, Canada. A professional musician and a fan of music, dance and the arts. I have written short stories, lyrics, poetry and reviews. I have been published in numerous online webzines. I’ve taught drumming and played in bands; I have felt the passion to create. I enjoy expressing that passion, the artistic experience, in words, reporting on the shows and musical experiences that I have witnessed.

More from author

LEAVE A REPLY

Please enter your comment!
Please enter your name here

Related posts

Promotionspot_img
Promotionspot_img

Featured Posts

Omara Portuondo, Multifaceted Gem of Cuban Music

My moon app announces that in 14 hours the Supermoon of May will be here. During a full moon I often get inspired to...

Ray Barretto · Barretto Power

Barretto Power: A Celebratory Reissue on its 50th Anniversary It was 1970 when Fania Records released Barretto Power, one of a series of seminal albums...

El Gran Fellové: Part 3- When my Parents…

When my parents bought their home in 1968, Sunset Beach was just another sleepy little beach town It spanned about one mile in length, sandwiched...

El Gran Fellové: Part 2- Enter Chocolate & Celio González

Early Sunday morning… I awoke to the pleasant surprise of a Google Alert in my email. I clicked to find Variety Magazine had published an...

El Gran Fellové: Part 1- The Beginning

Francisco Fellové Valdés (October 7, 1923 – February 15, 2013), also known as El Gran Fellové (The Great Fellove), was a Cuban songwriter and...

Bobby Paunetto, New York City and The Synthesis of Music

Bobby Paunetto was an unforgettable composer, arranger, musician and recording artist. Latin Jazz Network honors him on the tenth anniversary of his death (8.10.10). His...

Jazz Plaza 2020: Ancient to the Future

Chapter four of our series: 35th Jazz Plaza International Festival in Havana In recent months I found myself in profound reflection of the term...

Ray Martinez and the Forgotten Legacy of Jazz

Sometime in the very near future, several of the jazz world's best known writers and musicologists will meet in some obscure conclave to pool...

A Brief History of the Cuban Style Conjunto

1930: The Orquesta Típica is out and the Conjunto is in The year 1930 marked a turning point in the development of popular Cuban music....

Jazz Plaza 2020: Speaking in Tongues

Chapter three of our series: 35th Jazz Plaza International Festival in Havana Featured photo: Los Muñequitos de Matanzas at El Tablao in Havana, by Danilo...

Join our mailing list

Participate in contests, giveaways and more