Gustavo Cortiñas to Release Visual Album: Desafío Candente

Chicago Drummer, Percussionist Gustavo Cortiñas to Release Visual Album Desafío Candente on March 24th via Woolgathering Records

Inspired by Eduardo Galeano’s The Open Veins of Latin America, Cortiñas’ new work explores the history of colonialism, imperialism and neoliberalism in Latin America with 30+ musicians and speakers from 11 different countries over the course of 14 tracks and accompanying videos

For over a decade, Gustavo Cortiñas has been an active member of the Chicago music scene as a sought after drummer, a prolific composer and bandleader. On his previous releases (Snapshot, 2013 and ESSE, 2017) he combined his expansive creativity as a composer with an aptitude for large ensemble writing. With his forthcoming third release Desafío Candente, Cortiñas presents his most ambitious project to date: a Magnum Opus designed to explore the impact of colonialism, imperialism, and neoliberalism that has struck Latin America through centuries. This audio recording is also a visual album, as each track partners with an accompanying music video. Desafío Candente will be available as a double compact disc and triple vinyl LP via Woolgathering Records on March 24, 2021. Digital versions of the album will be available exclusively at the Woolgathering Records direct-to-artist web store and Bandcamp.

CD cover: Gustavo Cortiñas · Desafío Candente
Gustavo Cortiñas · Desafío Candente

His sweeping new release uses the writings of Uruguayan author Eduardo Galeano‘s book “The Open Veins of Latin America” (a fundamental text in Latin American literature) as a template for the construction of these riveting new works. At its core is a jazz septet – Cortiñas is joined by Kitt Lyles on upright bass, Joaquín García on piano and Artie Black on a variety of reeds, as well as Drew Hansen on trumpet, Euan Edmonds on trombone and versatile guitarist Matt Gold. 21 musicians and 13 guest speakers from 11 different countries augment each of the 14 tracks which take listeners on a journey through a different part of Latin America and its history.

Inspired by Túpac Amaru’s Rebellion, the Mexican Revolution, and the Zapatista Movement in Chiapas, among other key events of Latin American history, Desafío Candente makes a powerful statement – it denounces the power structures that run Latin America and prey on its people, while also celebrating the resilience, spirit, and creativity of those very diverse communities. The work manages to expand its scope through its interdisciplinary amalgamation of spoken word and printed text directly from the page (with permission of Galeano’s state) as well as the striking cover image by celebrated Mexican painter Carmen Chami.

Cortiñas is highly acquainted with the different musical traditions of Latin America and his work clearly references these styles directly. Tracks like “El Jinete y El Caballo” and “La Nostalgia Peleadora de Túpac Amaru” make use of rhythms lifted from African traditions in the Caribbean and South America, while “Combustible Humano” functions within a clear Brazilian music framework. The recording also features musicians from Mexico playing typical folk instruments, like Jerónimo González’s Jarana Jarocha on “Los Caudillos Campesinos” and Xavier Quijas Yxayotl playing a variety of indigenous flutes on “Abya Yala” and “Un Mundo Donde Quepan Muchos Mundos”.

The ensemble integrates their skill set for jazz improvisation and knowledge of American music on Cortiñas’ cross-stylistic compositions with great ease. On “Pachacuti” a military march gives way to a free improvised section, while “La Mano Invisible” starts with a slow blues dirge before bursting into a dynamic second-line New Orleans style form featuring collective interjections from all horns with veteran Victor Goines soaring on clarinet.

Maintaining a compositional focus, Cortiñas’s interesting arrangements coax a great variety of textures and timbres from the ensemble while the musicians deliver strong performances of the music throughout. The suite is full of musical variety while remaining cohesive and faithful to its subject matter.  

Born and raised in Mexico City, Gustavo Cortiñas has been an active member of the Chicago music scene since 2011. As a sought after drummer, he has performed and recorded with Kitt Lyles’ Real Talk, Erik Skov’s Liminality, Imagery Converter, Emily Kuhn’s Helios, the Roy McGrath Quartet, and the Carla Campopiano Trio, among others. A prolific composer and bandleader, Cortiñas is a member of the Chicago Jazz Composer’s Collective, performing regularly for their monthly residency at Chicago’s very own Green Mill. “Cortiñas’ music is uplifting, robust, melodic, and gets your body moving; it’s an exciting blend of the artist’s musical influences from jazz and Latin America, including his native Mexico,” said Downbeat Magazine.

Modern Latin American history has created a phenomenon in which an ever-growing number of people from these countries have ended up living their lives somewhere else in the world, wondering how to integrate their identity with the foreign culture they now find themselves in. The work of musicians like Gustavo Cortiñas aims to expose this existential conundrum that permeates the lives of the Latin American diaspora, organically integrating their traditions into the music they have learned to play in this country. He manages to assert his credibility as a musician that largely operates within the jazz idiom while simultaneously referencing his own culture to create a fresh perspective on the music. Cortiñas is part of an esteemed group of artists that are actively reshaping the narrative of Latin American culture in America and Desafío Candente is an instantly important voice in this movement.

Inspired by Eduardo Galeano’s The Open Veins of Latin America, Cortiñas’ new work explores the history of colonialism, imperialism and neoliberalism in Latin America with 30+ musicians and speakers from 11 different countries over the course of 14 tracks and accompanying video

This project was funded by a grant from The National Fund for Culture and Arts (FONCA), which is the Mexican equivalent of the American National Endowment for the Arts.

Label: Woolgathering Records
Catalogue number: WR014

Track listing:
I. Obertura (Overture) (8:27)
II. Abya Yala (9:51)
III. Pachacuti (The World Upside Down) (7:27)
IV. La Fiebre del Oro (The Gold Fever) (9:04)
V. El Jinete y el Caballo (The Rider & the Horse) (5:32)
VI. La Nostalgia Peleadora de Túpac Amaru (The Militant Nostalgia of Tupac Amaru) (7:51)
VII. Combustible Humano (Human Fuel) (4:23)
VIII. La Ruta de Regreso a Guinea está en el Arcoiris (The Route of Return to Guinea Lies in the Rainbow) (6:11)
IX. Pax Britannica (6:52)
X. Los Caudillos Campesinos (The Peasant Leaders) (5:10)
XI. La Mano Invisible (The Invisible Hand) (7:15)
XII. El Desarrollo Desarrolla la Desigualdad (Development Develops Inequality) (6:32)
XIII. Desafío Candente (Incandescent Defiance) (6:52)
XIV.Un Mundo Donde Quepan Muchos Mundos (A World Where Many Worlds Fit) (4:54)

Source: Lydia Liebman Promotions

Web Editor
Latin Jazz Network is a project dedicated to the advancement of Latin jazz and its creators. Since 2000 LJN has been spreading the word about this wonderful music known under the umbrella term: LATIN JAZZ.

More from author


Please enter your comment!
Please enter your name here

Related posts


Featured Posts

Omara Portuondo, Multifaceted Gem of Cuban Music

My moon app announces that in 14 hours the Supermoon of May will be here. During a full moon I often get inspired to...

Ray Barretto · Barretto Power

Barretto Power: A Celebratory Reissue on its 50th Anniversary It was 1970 when Fania Records released Barretto Power, one of a series of seminal albums...

El Gran Fellové: Part 3- When my Parents…

When my parents bought their home in 1968, Sunset Beach was just another sleepy little beach town It spanned about one mile in length, sandwiched...

El Gran Fellové: Part 2- Enter Chocolate & Celio González

Early Sunday morning… I awoke to the pleasant surprise of a Google Alert in my email. I clicked to find Variety Magazine had published an...

El Gran Fellové: Part 1- The Beginning

Francisco Fellové Valdés (October 7, 1923 – February 15, 2013), also known as El Gran Fellové (The Great Fellove), was a Cuban songwriter and...

Bobby Paunetto, New York City and The Synthesis of Music

Bobby Paunetto was an unforgettable composer, arranger, musician and recording artist. Latin Jazz Network honors him on the tenth anniversary of his death (8.10.10). His...

Jazz Plaza 2020: Ancient to the Future

Chapter four of our series: 35th Jazz Plaza International Festival in Havana In recent months I found myself in profound reflection of the term...

Ray Martinez and the Forgotten Legacy of Jazz

Sometime in the very near future, several of the jazz world's best known writers and musicologists will meet in some obscure conclave to pool...

A Brief History of the Cuban Style Conjunto

1930: The Orquesta Típica is out and the Conjunto is in The year 1930 marked a turning point in the development of popular Cuban music....

Jazz Plaza 2020: Speaking in Tongues

Chapter three of our series: 35th Jazz Plaza International Festival in Havana Featured photo: Los Muñequitos de Matanzas at El Tablao in Havana, by Danilo...

Join our mailing list

Participate in contests, giveaways and more