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Roots+Ribs Fest: The Soul of Cuban Piano



Roots + Ribs Festival

New Jersey’s Best-Kept Secret Hosts the Soul of Cuban Piano

While searching for an event to put the finishing touch on the July 4th weekend I came across an ad for the Oskar Schindler Performing Arts Center (OSPAC) title, The Soul of Cuban piano featuring Chuchito Valdés, Manuel Valera and Aruán Ortíz. The event is part of OSPAC’s Roots + Ribs Music and Food Festival which runs through September 1st.

The series is an outdoor, bring your own lawn chair and/or blanket affair and the setting couldn’t be lovelier, an open-air stage, a pristine grassy knoll a stone’s throw from Crystal Lake. The environment lends its self to enjoying music while communing with nature.

As fate would have it I arrived as the Maestros were warming up and familiarizing themselves with a beautiful and ridiculously expensive Fazioli grand piano. It was a harbinger of things to come.

Right on time WBGO radio show host and Master of Ceremonies, Gary Walker introduced Aruán Ortíz, a critically acclaimed pianist, composer, producer and educator who has been making a name for himself on the local and international scenes since he arrived from Cuba in 2008. Aruán’s set was an open invitation to accompany him on a musical journey that spans his Cuban roots, contemporary classical music, improvisation and what he calls, “an architecture of sounds.” The journey included Thelonious Monk’s arrangement of Duke Ellington’s “Black and Tan Fantasy”; an excerpt from an upcoming suite based on folkloric musical expressions of Santiago de Cuba titled, “Callejuela Izuama” and his arrangement of the tune, “Alone Together”. In all, the set was cerebral, quietly intense and above all, riveting.

Over the years I’ve seen pianist, composer Manuel Valera perform in multiple settings however I’ve never seen him fly without a net. I’m happy to report that Manuel’s mastery of the keyboard and sense of adventure exceeded my expectations. He performed three tunes from his most recent (solo) recording, titled Self-Portrait: “Spiral”, a Cubanized interpretation of Thelonious Monk’s “Ask Me Now” and a classic Cuban bolero titled, “Las Perlas de tu Boca”. He also put his spin on “Variations of Porgy and Bess”, George Gershwin’s “Summertime” and a highlight of the evening was his spur of the moment interpretation of the late, great Horace Silver’s “Song For My Father”. Manuel is not without a sense of humor. Between tunes he encouraged the audience to purchase his recordings, adding, “If you like my music, please pick up a CD on the way out. If you don’t like my music buy it and give it to someone you don’t like!”

Onstage, Chuchito Valdés lets his fingers do the talking. Suffice it to say they speak volumes. Stylistically, he is flamboyant and occasionally over the top but he is as comfortable with a raucous version of “Mambo Influenciado” as he is with a lyrical Danzón. His original compositions and arrangements draw on a wide variety of classic and harmonic structural techniques and his music reflects many styles, including Afro Cuban jazz, Latin jazz, Bebop, Danzón, Cha Cha and Son Montuno. Some years ago I spoke with Chuchito between sets at the Jazz Gallery. Given the fact that he rarely speaks to the audience I was curious to know what goes through his mind during a performance. “It’s emotional,” said Chuchito, “I think of my wife, my family, my children.” The set ended with a well deserved standing ovation and an encore.

In all, the event was a crowd pleaser and a rare opportunity to see three Maestros – all leaders and uniquely different in their own right – share the same stage.

OSPAC is on a mission to create an environment where artists, developing artists and aspiring artists of all socio-economic and cultural origins from the Essex County area can explore, create and communicate their craft in a supportive and nurturing environment.

Upcoming performances include: The Lionel Loueke Trio, Frank Kimbrough, John Beasley, a tribute to the late, great Mulgrew Miller, Geri Allen and The Cookers among others.

I’m happy to declare that OSPAC is no longer New Jersey’s best-kept secret. I urge readers in the New York, New Jersey area to support OSPAC and the Roots + Ribs Music and Food Festival.

For additional information visit:

Recommended listening: Manuel Valera – Self Portrait – CD Baby, 2014; Aruan Ortiz Trio – Ayva Music, 2004; Chuchito Valdes – Viva New York. Viva El Sonido Cubano – Conservatory Music, 2011

Roots and Ribs Festival

A graduate of Empire State College with a dual major in journalism and Latin American studies, Tomas Peña has spent years applying his knowledge and writing skills to the promotion of great musicians. A specialist in the crossroads between jazz and Latin music, Peña has written extensively on the subject.

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