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Festivals Report

Puerto Rico Heineken JazzFest 2013



“Closing the night and the Fest, the honoree, trombonist and composer William Cepeda, filled the stage with the joy and power of his music and a true big band of master musicians. Cepeda is always creating, and looking for new ways to express himself.”

Festival Report by Wilbert Sostre – From San Juan, Puerto Rico.

The twentieth third edition of the Puerto Rico Heineken JazzFest was dedicated to one of the most creative musicians in Puerto Rico, trombonist, composer, educator, and advocate of Puerto Rican traditions, William Cepeda. A true music genius, Cepeda is a pioneer in the fusion of Jazz with Puerto Rican folk music, especially with the rhythms of Bomba and Plena, a fusion he calls AfroRican Jazz.

Thursday, March 21

Puerto Rico Heineken JazzFest 01The first night opened with the music of Viento de Agua, a group that perfectly fits the folkloric music vision of William Cepeda and the theme of the fest. Founded in New York in 1997 by percussionist and singer Tito Matos and saxophonist Ricardo Pons, the music of Viento de Agua is a blend of Puerto Rican folk music with Jazz and other influences. Viento de Agua started with the contagious rhythms of Plena in the songs “Fiesta de Plena”, “La Reina mia“, “Lola” and the modern arrangement with Peruvian influences of “El que no tiene de dinga”. Excellent improvisations by Eliud Cintrón on the trombone and Roberto Calderón on the saxophone were the highlights of these first pieces.

In the song “Plena Azul”, a Ricardo Pons composition, the fusion of Plena with Jazz and Blues can be heard more clearly. Eliud Cintrón adds another excellent improvisation on this one. Next, the rhythms of Bomba filled the stage with “Cu Cu”, a song by one of the masters of the Bomba tradition, Rafael Cepeda. The beautiful and powerful voice of Kiani Medina closed Viento de Agua’s presentation with the Plena “Ciudadano del Mundo”.

Puerto Rico Heineken JazzFest 02Continuing in the fusion mood, Henry Cole Afro Beat Collective took the stage with a mix of Bomba, Plena, Cuban rhythms, Jazz, funk, rock, hip hop and more. Psychedelic sounds on the Fender Rhodes over Bomba rhythms were the intro for the first piece, “Uncovered Fears“.  The Plena rhythms came back to the stage in the song “Solo dos veces“, with Killy Vializ on voice and the dancers Lourdes Gandía and Charma Avilés.

The next two songs ”No eres tú, soy yo” (It’s not you, it’s me) and “Trabajala” (Work it out) included the urban, hip hop poetry of Hermes Ayala, both ended with some funk/fusion. In “To living without seeing” was the turn for Cole to shine on drums with a nice intro, and rock influences on this and the last one. Besides Cole display of his amazing technique, Billy Carrión Jr. on baritone sax impressed the public with masterful solos and passionate playing.

Friday, March 22

Puerto Rico Heineken JazzFest 03The rain almost ruined the debut of one of the young promises of Puerto Rican Jazz, alto saxophonist Jonathan Suazo. Fortunately, the rain went away and people enjoyed the artistry, and virtuosity of Suazo and his Quintet, pianist Eduardo Zayas, guitarist Gabriel Vicéns, bassist Alex Gasser and drummer Leonardo Osuna. Remember these names as they are the future of jazz in and out of Puerto Rico.

All the outstanding compositions played by Suazo Quintet, the energetic “Pace of Life”, the bolero and bomba fusion of “La ira de una flor”, the soulful “Lucharemos Juntos” (dedicated to Suazo father) and the samba “The Joy of You” were originals, except for Cole Porter “What is this thing called love?”.  Percussionists Jhanlee Aponte Poro, Amarilys Ríos, Branlee Mejías and Paoli Mejías joined the quintet for the Latin jazz arrangement of the Cole Porter classic tune.

The second act on Friday night was one of the Jazz true masters in recent years, trumpet virtuoso Nicholas Payton. Accompanying Payton on stage were bassist Vicente Archer and drummer Marcus Gilmore.

As a native of New Orleans, where Jazz was born, Payton music is a real gumbo of modern jazz, funk, fusion, bebop, cool jazz, traditional jazz and everything in between. One can hear on Payton virtuosic improvisations the voices of Freddie Keppard, Louis Armstrong, Miles Davis, Freddie Hubbard, Clifford Brown and all the great trumpet players in the history of jazz.

The guitar duo of Strunz & Farah closed the Friday night presentations of the Puerto Rico Heineken Jazz Fest. Jorge Strunz from Costa Rica and Ardeshir Farah from Iran are not new to Puerto Rico and the Fest, they played on this same stage 12 years ago. Their melodies and compositions, “Four Winds”, Night Jasmine”, “Vela al Viento”, influenced by Flamenco, Arabic and music from South America, could be better described as World Music.

Saturday, March 23

Puerto Rico Heineken JazzFest 04A trombonist from Costa Rica with vast experience in both Latin music (Willie Colon) and jazz (Dizzy Gillespie, McCoy Tyner) Luis Bonilla was the first act for the third night of the Puerto Rico Heineken Jazz Fest. All the music played by the Luis Bonilla Quintet were original compositions, influenced by blues (Double Trouble), New Orleans Jazz (Uh, Uh, Uh) and Tibetan music (Bhurmkukuta). All throughout the presentation Luis Bonilla and Puerto Rican saxophonist Iván Renta exchanged flawless improvisations over the amazing rhythm team of bassist Andy McKee and drummer John Riley. Luis Bonilla closed with the blues “Elis”, a composition dedicated to his daughter.

It is not often that one is in the presence of a true jazz legend; Mr. McCoy Tyner is one of the few giants still alive from the so called golden era of jazz. Tyner has a distinguished career creating and recording amazing music on his own, but besides that, he was the pianist of maybe the best tenor sax player in the history of jazz, John Coltrane. Some references to the music of Coltrane still can be heard in Tyner arrangements, like the “A Love Supreme” chord progressions his quartet played in “Fly with the Wind” and the passionate interpretation of “Ballad for Aisha” in obvious reference to another classic by Coltrane “Aisha” from the album Ole. With seventy three years of age, Tyner still has a clear mind and passion for the music he loves, as he demonstrated on his piano solo “For all we know.” Accompanying Tyner this night, there were three fabulous musicians: saxophonist Gary Bartz, bassist Gerald Cannon and Cuban drummer Francisco Mela.

After a legend like McCoy Tyner, a future legend, sax virtuoso Joshua Redman was the closing act for Saturday night. Redman, son of saxophonist Dewey Redman, was part of a group of amazing young musicians that came out in the early nineties, and revived the classic sound of jazz, going back to the use of the acoustic bass and getting away from the electric sound of the seventies and eighties. Joshua Redman Quartet, Aaron Goldberg on piano, Reuben Rogers on bass and Kendrick Scott on drums, started with two outstanding original compositions, Redman “Disco Ears” and “Shed” by Aaron Goldberg.

A wonderful introduction on sax gave way to Hoagy Carmichael classic “Stardust”. Redman is a perfect example of how is not necessary to discard tradition in order to innovate. His improvisations and compositions, like “Curley Q” and the funky “D.G.A.F” are always full of new ideas but at the same time are rooted deeply in the jazz history and tradition. Proving his incredible technique playing any music form, Redman amazed the public with his interpretation of “Adagio” by Johann Sebastian Bach, closing the night with another Redman original, “Hide and Seek”.

Sunday, March 24

Puerto Rico Heineken JazzFest 05For the last day of the Puerto Rico Heineken JazzFest it is already a tradition to include a presentation of a Berklee Student Band. This year’s band, bassist Alex Gasser, drummer Leonardo Osuna, pianist Santiago Bosch and saxophonist Edmar Colon has been one of the best in recent years. Gasser and Osuna already played on Friday night with Jonathan Suazo Quintet, and on Sunday evening they came back to the stage with Edmar Colon, another young talent from Puerto Rico and for sure a name jazz fans will hear a lot in the future.

These students demonstrated not only that they are already great instrumentalists but also good composers and arrangers. All the compositions played by the band were originals, “Transición” and ” El Tren” by Santiago Bosch, “PG-13” and “Unión” by Edmar Colon, “Libertad” and “Fé Perdida” by Leonardo Osuna and “Flap Jack” by Alex Gasser. As a special guest, percussionist and professor at Berkleee, Eguie Castrillo joined the band for the last part of the presentation.

In 2011 I had the honor to write an album review for a female singer relatively new and unknown in the jazz scene. Even though I knew and liked her earlier recordings, this one in particular was very special. On the album Mexico Azul, this lady and her band recorded beautiful jazz arrangements of songs from the golden era of Mexican cinema, including “Obsesión” by Puerto Rican composer Pedro Flores. I selected that album as one of the best of 2011.

So when I heard Magos Herrera was part of the selection of artists scheduled to play in the 2013 Puerto Rico Heineken JazzFest, I knew I had to be there and also knew the public would fall in love with Magos’ music. As it turn out I was right, Magos Herrera was one of the pleasant surprises of the Fest, captivating the jazz aficionados with her phrasing and beautiful voice in songs like “Reencuentro”‘, “Tus Ojos”, and Milton Nascimento “Canção de Sal”.

From the album Mexico Azul, Magos sang “Noche Criolla”, “Lamento Jarocho”, “Obsesión”, “Tres Palabras” and  “Luz de Luna”, perfect music for a tropical clear night under the moonlight. Two of the musicians from the Mexico Azul album accompanied Magos on this night, bassist Hans Glawishnig and from Venezuela, pianist Luis Perdomo, adding masterful improvisations alongside drummer Alex Kautz and guitarist Mike Moreno.

Closing the night and the Fest, the honoree, trombonist and composer William Cepeda, filled the stage with the joy and power of his music and a true big band of master musicians. Cepeda is always creating, and looking for new ways to express himself. Flamenco, Bomba and Tap dancers, a Dj and even a rappper were part of Cepeda’s musical proposal for the night. Cepeda played the trombone, caracoles on “Pa’ mi Cuembe” and “Bombatap” the bombarding on “Aires de mi Borinquen” and also was the music director.

The influences on Cepeda’s music include the Puerto Rico traditional music of Bomba, in “Oya, Oye”, the blues fused with Plena in “Cumba Blues”, Bomba fusion with Flamenco in ” Bomba Flamenca”, and more. Some musicians who played earlier in the Fest joined Cepeda for this spectacular closing. Kiani Medina on voices, Iván Renta on saxophone, Henry Cole on drums and Hector Tito Matos on percussion, who joined Cepeda on “Cumba Blues” to end one of the best editions of the Puerto Rico Heineken JazzFest.

Photographs by Wilbert Sostre

Member of the Jazz Journalist Association since 2010. Member of the Ponce International Jazz Festival Commitee. Studied music and guitar, 1985-86. Music studies at the University of Puerto Rico and the Music Conservatory of Puerto Rico, 1986-1990.

Festivals Report

TD Toronto Jazz Festival – June 24 to July 3, 2022



TD Toronto Jazz Fest 2022

10 Days of Free Shows — Say What!

My TD Toronto Jazz Festival started mid festival, Tuesday, June 28th, early evening. It was all about Juno winners and nominees. The first act, Sammy Jackson and her quartet performing at the TD Main Stage at the OLG Grove.

Sammy Jackson - Photo by Paul J. Youngman
Sammy Jackson – Photo by Paul J. Youngman

Sammy Jackson won a Juno for vocal jazz album of the year. Her band, made up of Jackson on Vocals, Thomas Fleming – guitar, Chris Pruden – keys, Mark Godfrey – bass and Ian Wright playing the drums. Jackson sang songs from her award winning 5-track EP With You, featuring original compositions. Sammy Jackson added some songs from her 2016 release, the 5-track EP Take Me Back, to make for an enjoyable hour long performance. Jackson’s songs are about joy, vulnerability, long distance relationships, and love. Jackson blends jazz, R&B, soul and pop with her beautiful voice.

Sammy Jackson - Photo by Paul J. Youngman
Sammy Jackson – Photo by Paul J. Youngman

Jackson covers an impressive vocal range, and her phrasing is delightful. Jackson shines on the ballads. I especially enjoyed “Bad Reception” and “Every Time We Say Goodbye”.

Sammy Jackson concluded her show with one dedicated to her son, entitled “Chuckie”, a toddler who happened to be in the audience and made a cameo at the front of the stage. This tune was upbeat and had a happy go lucky, dance groove to get everybody moving.

I spoke with Jackson after the show, I asked her if she noticed the Juno enhancing her career? She said, “I think it’s why I’m here. The Juno increased my exposure. So that’s great. Thank you Juno!”

Kellylee Evans - Photo by Danilo Navas
Kellylee Evans – Photo by Danilo Navas

Kellylee Evans performed the evening of the 28th and I was not going to miss her concert at the TD Main Stage. Kellylee Evans was in great vocal form and in accompaniment with a wonderful band made up of Joel Visentin – keyboards, Mark Godfrey – bass, Rich Grossman – guitar, and Ian Wright on drums.

Evans has suffered some serious physical setbacks in her recovery from a tragic accident in 2013. She has an injury that is effecting her ability to walk and even to stand. She performed the show from a sitting position.

Kellylee Evans - Photo by Danilo Navas
Kellylee Evans – Photo by Danilo Navas

Evans puts her heart and soul into her singing. She is a Juno winner for vocal jazz album of the year for Nina, released in 2010. One of my favourite vocal jazz albums.

This evening, Evans performed songs from her new 5-song EP Green Light as well as many others. A beautiful, dynamic, high energy performance—even from her seated position.

Alexis Baró Quintet - Photo by Paul J. Youngman
Alexis Baró Quintet – Photo by Paul J. Youngman

I started off Wednesday, the 29th with the amazing trumpet playing of Alexis Baró. The Alexis Baró Quintet was performing at the TD Stage at Festival Village in Yorkville.

I really enjoy Baró’s trumpet playing. I think he is one of the most expressive players in the Afro Cuban style. Baró performed songs from his new album Ma Raiz.

Larnell Lewis Band - Photo by Paul J. Youngman
Larnell Lewis Band – Photo by Paul J. Youngman

I only stuck around for a few of the songs as Joy Lapps and Larnell Lewis were performing at the TD Main Stage at the OLG Grove, a few streets south. It is most unfortunate to have these scheduling conflicts. However, It is amazing to have so much talent at one festival.

Joy Lapps and Larnell Lewis performed on the TD Main Stage Wednesday the 29th – a dynamite performance. The band, made up of Larnell Lewis – drums, Joy Lapps – steelpan, Jeremy Ledbetter – piano, Elmer Ferrer – guitar, Rob Christian – woodwinds, Andrew McAnsh – trumpet and Marc Manhertz – bass.

Larnell Lewis Band with Joy Lapps - Photo by Paul J. Youngman
Larnell Lewis Band with Joy Lapps – Photo by Paul J. Youngman

“Rejoice” was the title of one of the songs performed and to hear this band is to rejoice. When I listen to Larnell Lewis play I feel the pulse through my soul. I think this is the most heartful drummer I have ever heard. His music is uplifting, powerful, dynamic, his beats, fills and rhythms, just outstanding. He shares his heart with the audience, nothing is left on the stage. 

Now to get ready for a return to Koerner Hall, after 2 years of isolation, for one of the few ticketed events, the Gregory Porter band. Excited? Yes, indeed!

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