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Edy Martínez, the Music Architect Behind the Piano


A Midnight Jazz Affair
At the insistence of his former stage partners in New York, Edy later returned to the Big Apple to work on new ideas and musical projects. Ray Mantilla and Gato Barbieri were some of those who were waiting for him. It was in this multicultural city, the place that had given him the possibility to create his second great Latin jazz production; the album “Midnight Jazz Affair” came to life in 2008. This work could be considered his best production as a result of years and years of experience in the Latin jazz and salsa scene. He filled the compositions with an array of colors that shined, spread with contrast, and clearly illustrated his profound musical perspective. This album was characterized by a variety of stylistic elements that broadened the landscape and a careful integration of styles that stirred the senses of any Latin jazz listener. Deep and rich harmonic progressions were the perfect ingredients used in this album. The piece “Suite for Piano” is a good example, a powerful song with a subtle layer that invokes motion and emotion. “Guaneña” is a song that clearly reflects an integration of styles. This piece was based on a traditional Colombian song, but with Edy’s hands involved it was transformed into a splendid composition full of flavour and melodic voices. Perhaps his best song on this album is “Celebration” a composition that starts with an expressive piano intro followed by touching wind instrument lines that lead up to an explosion of descarga.

In New York Edy is an obligatory reference for dozens of musicians. In 2011 he was called to form an orchestra to play in the Harlem Week Celebrations. He was part of the Harlem Afro-Cuban All Stars with legends like Dave Valentin and Jerry Gonzalez.
The lines written in this report aim to draw an overall portrait of Edy Martínez’s musical life. The discipline that he developed even from a young age, seems to only strengthen over time, one of his most notable qualities. What is absolutely remarkable about him is his passion for music. His more than 50 years of career playing, arranging, composing, directing, and producing, most of the time staying behind the music and the acclaimed artists, is a testament to Edy as one of the best examples of humbleness, dedication, talent, and love for music. For many reasons, this article could have omitted other albums and a few other artists with whom he worked, but beyond this what I will not omit is the uncanny connection between the attitude Mr. Martínez had when he first settled in Miami 50 years ago and the same genuine attitude he had when I met him last year, in Jazz al Parque 2011. I met a musician still full of wishes to learn everything that he could from other musicians, trying to share all that he could with the piano – it seemed to be a message to all of us, that music is a love in action. At present, while you read this report it is possible that in his apartment, in New Jersey, NY, Edy is studying some form of classical, jazz or Latin music, perhaps dreaming about coming back to his beautiful country, Colombia, where it all began.
Acknowledgement
Special gratitude to the maestro Edy Martínez for his great patience, to Vilma Rincón for her help providing all the information and graphical material available. All photographs courtesy of Edy Martinez.
Edy Martínez´s Discography
Abbreviations: Pianist (P), Arranger (A), Composer (C), Producer (PR).
Year |
Album/Artist |
Label |
Martínez´s Participation |
1954 | Yolima Pérez | Vergara Record | P |
1955 | Música internacional | SV | P |
1964 | Señor 007/Ray Barreto | United Artists | P, A |
1965 | El Ray Criollo/Ray Barreto | United Artists | P, A, C |
1967 | Latino con Soul | United Artists | P, A |
1970 | Feeling/Mongo Santamaría | Atlantic | P |
1971 | Ray Rivera/Ray Rivera Orchestra | MGM | P, A, C |
1971 | Mongo at Montreaux/Mongo Santamaría | Atlantic Records | P |
1972 | Up From the Roots/Mongo Santamaría | Atlantic Records | P, A |
1973 | The Other Road/Ray Barreto | Fania Records | P, A, C |
1973 | Indestructible/Ray Barreto | Fania Records | P, A |
1974 | Justo Betancourt/ Justo Betancourt | Fania Records | P |
1973 | Soy hijo de Chango/Menique | Cotique | A |
1974 | En una nota/Monguito Santamaría | Inca | P, A, C |
1974 | Viva Emiliano Zapata/Gato Barbieri | ABC | P |
1975 | Chapter Four/Gato Barbieri | ABC | P |
1975 | Un retrato/Tito Rodríguez | TR Records | PR |
1975 | Barreto/Ray Barreto | Fania Records | A |
1975 | Barreto Live/Ray Barreto | Atlantic Records | A |
1975 | El jardin del amor/Larry Harlow | Fania Records | A |
1975 | Salsa/Larry Harlow | Fania Records | A |
1975 | Montara/Bobby Hutcherson | Blue Note | C |
1975 | Unfinished Masterpiece/Eddie Palmieri | Musical Product. | A |
1976 | New World/ Joe Chambers | Finite Records | P |
1976 | Cuban Roots | Mark Weinstein | P |
1976 | Introducing/La Sonora Borinquen | TR Records | PR |
1976 | Caliente/ Gato Barbieri | A&M Records | P, A |
1976 | Ruby Ruby/ Gato Barbieri | A&M Records | P, A |
1976 | Passion & Fire/Gato Barbieri | A&M Records | P |
1977 | La raza latina/Larry Harlow | Fania Records | A |
1977 | Eye of the Beholder/Ray Barreto | Atlantic Records | P |
1977 | A Touch of class/Pet Conde Rodríguez | Fania Records | P |
1977 | De todo un poco/Luo Peres | Tico | P |
1977 | Romántico y salsero/Raul Marrero | Sony Discos | P, A |
1978 | Con mucha salsa/Vitin Aviles and Fania | Alegre Records | A |
1978 | Homenaje a Benny More/Tito Puente | Tico Records | A |
1978 | Tropico/ Gato Barbieri | A&M Records | P, A |
1978 | My Own Image/Luis Perico Ortiz | Turnstyle | P, A, C |
1979 | Euphoria/Gato Barbieri | A&M Records | P |
1979 | Ricanstruction/Ray Barreto | Fania Records | A |
1979 | Soy la ley/Pet Conde Rodríguez | Fania Records | P |
1979 | Gracias/Ray Barreto | Fania Records | A |
1979 | Típica 73 Record in Cuba/Típica 73 | Fania Records | A |
1979 | NY para el Caribe/Federico Crespo | Divemer | P,A,C,PR |
1979 | Just Like Magic/Tito Puente | LP Ventures Inc. | P |
1981 | Para los amigos/Gato Barbieri | Dr. Jazz | P |
1981 | Libre increible/Many Oquendo | Salsuol | A |
1981 | Típica 73…Into the 80´s/Típica | Fania Records | A |
1982 | Tiros bailables | CBS | P, A |
1983 | Apasionado/Gato Barbieri | Polydor | P |
1984 | Calorcito/Conexión Latina | Enja | P, A |
1986 | Hard Hands/Ray Mantilla | Red Records | P, A |
1986 | Mambo/La Manigua | Melodie | P |
1986 | Un poco loco | Enja | A |
1986 | Zaperoco II/Zaperoco | Montuno | P, A |
1988 | Soundtrack: Married to the Mob | FILM | A |
1988 | L´Opera Triangulaire | Messidor | A |
1989 | Dark Powers/Ray Mantilla | Red Records | P, A |
1991 | Travel Log/Corina Bartra | Blue spiral | P |
1992 | Que se cuiden los soneros/Raulín | DMS | P |
1993 | Royal T/Tito Puente | Condord | A, C |
1993 | Mejor que nunca/Many Oquendo | Milestone | A |
1993 | Es bolero/Cecilia Zaid | Sisar | P, A |
1993 | Manhattan by Numbers/G. Barbieri | FILM | C |
1994 | Synergy/Ray Mantilla | Red Records | P, A, C |
1994 | Ritual de la salsa | Discos Fuentes | P, A |
1994 | Tiempo de carnival | Atriz Music | P |
1995 | Privilegio/Edy Martínez Orchestra | Nuevo Milenio | P,A,C,PR |
1995 | Pearls/David Sanborn | Electra | A |
1996 | Madera/Mauricio Smith | Wenmar Records | P |
1998 | More and More/Lucas Van Merwijk | Tam Tam | P, A, C |
1998 | Apuesto a todo/Gustavo Rodríguez | FM Records | P |
1998 | Su majestad el piano/Edy Martínez | FM Records | P,A,PR |
1998 | Live in the Hague/Cubop City Big Band | Tam Tam | P, A |
2000 | Edy Martínez Big Band | Nariño Dept. | C,A,PR |
2000 | Rítmico y pianístico/Gerardo Rosales | A Records | P, A |
2001 | La salsa es mi vida | Javaanse Jonges | A |
2002 | Arsenio/Cubop City Big Band | Tam Tam | A |
2005 | New York Salsa/Orquesta Universal | One Soul | P |
2006 | Good Vibrations | Savant | P |
2008 | Midnight Jazz Affair /Edy Martínez | Jogal Music | P,A,PR |
2010 | Acción de Gracias/Carlos Zagarra | Disc Maker | P |
2012 | Chico Alvarez – El Montunero: Country Roots/Urban Masters | Mafimba Records | P,A,C |
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Tomas Pena
Apr 13, 2015 at 9:25 pm
Bravo Oscar! Great piece on Maestro Edy Martinez.
Mara
Sep 20, 2015 at 9:46 pm
Didn’t Edy Martinez have a daughter called Estellita with a lady called Estella? I remember babysitting that little girl when they lived in the Bronx off The Grand Concourse. Crazy times. I also met Artie Webb at their apartment.
Gary Peters
Mar 14, 2016 at 1:32 pm
Hi Oscar
Great piece!
My name is Gary Peters, author of the Philosophy of Improvisation (Chicago University Press, 2009) and just finishing another book for Chicago U.P. on improvisation. It contains a strange ‘memoir’ of the San Sebastian Jazz festival 1980 where Edy played with Gato. I was playing too in another band. I wondered if you had a contact email for Edy? I need to ask him a couple of questions relating to that night.