César Orozco & Kamarata Jazz: No Limits for Tumbao

In his short note appended to the album No Limits for Tumbao, César Orozco makes a case for the generous helping of Cuban and...

Alex Conde: Descarga for Monk

The album Descarga for Monk is a rapturous flamenco record. Yes, it is Thelonious Monk. But it is also Alex Conde. The quintessential Alex Conde…

Dr. Ed Calle Presents: Mamblue

On Mamblue saxophonist Dr. Ed Calle has created not one, but two imperishable discs brim-full of magical charts meriting the simple designation: a musical...
Pedro Giraudo Big Band - Cuentos

Pedro Giraudo Big Band: Cuentos

Pedro Giraudo’s purposeful, imaginative and inventive music has rightly gained its own following, which his Big Band’s performance of "Cuentos", an album revolving around a four-part suite...

Mike Eckroth: Piano and Rhythm

Pianists who embark on Cuban music projects usually present them as traditional or modern, but rarely both. Mike Eckroth does both on his extraordinary...

Samuel Torres Group: Forced Displacement

Drums. They were not quite the first instrument, but even so much as a scatological suggestion of sound can quicken the blood; and their...
Arturo O'Farrill & The Afro Latin Jazz Orchestra - The Offense of the Drum

Arturo O’Farrill and ALJO: The Offense of the Drum

It has been authoritatively stated that Chico O’Farrill was one of the most important composers and big band arrangers and conductors in the idioms...

Jamie Dubberly & Orquesta Dharma: La Clave del Gumbo

The title of this fantastic and intoxicating album is a dead giveaway. La Clave del Gumbo bestraddles the two not-so-disparate worlds of Cuba...

Miguel Zenón: Identities Are Changeable

What does it mean “to belong”? The Webster suggests that it is a verb that is defined as “to have or be in a...

Sammy Figueroa & Glaucia Nasser: Talisman

It is not unusual today for the music of any idiom to collide with another and produce a seismic event in both idioms. Music...

‘Papiosco’ and Iroko Project: Ancestral

It seems both significant and appropriate that the eminent rumbero, Jorge Luis Torres Paumier “Papiosco” should choose the iconic “Iroko” tree as the title...

Cuban Jazz Train featuring Calixto Oviedo: Cómo Suena

This is exactly how you would expect Afro-Cuban music to sound in this day and age; romantic but without an ounce of sentimentality, which,...

Mark Weinstein: In Jerusalem

At a time when virtually everything is available on CD, many musicians – flutists, in this instance – search for something both different and...

Jane Bunnett and Maqueque

The celebrated Canadian soprano saxophonist is embracing voices again. But these voices are of a slightly different sort. The Creole Choir...

Paquito D’Rivera and Trio Corrente: Song for Maura

Just when it is believed that Paquito D’Rivera is a fine alto saxophonist who also plays clarinet, he goes and makes an album almost...

Jazz at Lincoln Center Orchestra with Wynton Marsalis: Live in Cuba

We hear so much big band music these days that we may be at risk of forgetting where the priceless modern day markers really...

Natalie Fernández: Nuestro Tango

The idiom of African-Latin idiom is becoming more popular, with the “sudden” discovery of so many fine artists who have contributed to making it...
Daymé Arocena - Cubafonía

Daymé Arocena: Cubafonía

The rise and rise of Daymé Arocena is quite the Cinderella story, sans the proverbial ‘glass slipper’. She performed for some time in Joaquin...
Entre 20 Aguas - A la música de Paco de Lucía

Paco de Lucía Tribute: Entre 20 Aguas

What would a perfect tribute to the legendary Flamenco guitarist Paco de Lucía be? It is easy to suggest a tribute by some of...

Yolanda Duke: Te Llevo Bajo la Piel

This recording Te Llevo Bajo le Piel brings together the last orchestra of the great Tito Puente waxing eloquent behind one of the El...

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