Ignacio Berroa has been recognized by many as one of the greatest drummers of our times. His numerous contributions to the American music scene have earned him a place among a selected group of artists known to have set new musical trends for the 20th century.
Jazz Legend Dizzy Gillespie best defined Ignacio as: “… the only Latin drummer in the world in the history of American music that intimately knows both worlds: his native Afro Cuban music as well as Jazz…”
Highly respected among his peers, Ignacio’s musicianship and versatility has enabled him to build a successful career by gaining the recognition of some of the most important artists in the business.
Ignacio Berroa was born in Havana Cuba on July 8 1953. He began his musical education at age 11 at the National School of Arts and subsequently at Havana’s National Conservatory, beginning his professional career in 1970. By 1975 Ignacio had become Cuba’s most sought after drummer. He left Cuba during the Mariel Boatlift, then moved to New York in June 1980 were he started working with musicians such as Chico O’Farrill and Mario Bauzá who recommended him to Dizzy Gillespie. In August 1981 Dizzy Gillespie invited Ignacio to join his quartet.
Ignacio also took part also of all important bands Gillespie assembled during that decade such as: The Dizzy Gillespie 70th Anniversary Big Band, The Dizzy Gillespie All Stars Big Band and the Grammy Award winner, United Nation Orchestra. This relation lasted until Dizzy’s death.
As an author he made his mark with the release of the instructional video: Mastering the Art of Afro – Cuban Drumming under Warner Bros Publications, and two books: Groovin’ in Clave & A New Way of Groovin’ under PlayinTime productions.
His first album as a leader, “Codes”, released under Blue Note Records, was nominated for a Grammy in 2007. “Codes” also won a Danish Music Award in 2007 as best International Jazz Album. He was honored by inclusion in the 2011 Modern Drummer Magazine and Blue Note Records Mp3 entitled “Jazz Drumming Legends”. Ignacio received a Lifetime Achievement Award from The Montreal Jazz Festival in 2011.
Ignacio has recorded and played with musicians of the stature of: McCoy Tyner, Chick Corea, Wynton Marsalis, Freddie Hubbard, Clark Terry, Jackie McLean, Jimmy Heath, James Moody, Slide Hampton, Michael Brecker, Joe Lovano, Milt Jackson, Jaco Pastorius, Ron Carter, Charlie Haden, Tito Puente, Lalo Schifrin, Gonzalo Rubalcaba, David Sánchez, Danilo Pérez, Chico Buarque, Ivan Lins, João Bosco, Lenny Andrade, Carnegie Hall Big Band, Lincoln Center Orchestra, WDR Big Band to name a few. Some of this artist have set new musical trends in Jazz, being associated with them make Ignacio part of Jazz history.
Heritage & Passion
Codes (Grammy Nominee)
Jazz Drumming Legends
Dizzy Gillespie: United Nation Orchestra, Life at The Royal Festival Hall (Grammy Award Winner)
Dizzy Gillespie: 70th Anniversary Big Band, Life at The Royal Festival Hall
McCoy Tyner: La Leyenda de La Hora
Grupo Batacumbele: Batacumbele con un poco de Songo
Tito Puente: Latin Jazz All Stars in Session
Charlie Haden: Nocturne, (Grammy Award Winner)
Charlie Haden: Land of the Sun. (Grammy Award Winner)
Gonzalo Rubalcaba: Inner Voyage. (Grammy Nominee)
Gonzalo Rubalcaba: Supernova. (Grammy Award Winner)
Gonzalo Rubalcaba: Paseo (Grammy Nominee)
Danilo Pérez: The Journey
What the Pros are saying:
“Ignacio is one of the greatest drummers of our time. It is a shame that a lot of American drummers don’t know him. American drummers like to go after names, but sometimes the people you don’t know are the ones you should know. What better teacher can you go to for Jazz and Afro-Cuban rhythms than Ignacio…” – Dennis Chambers
“Ignacio Berroa is an all American 100 Afro-Cuban drumming maestro, completely fluent and conversant in all styles of music. He is a gift to our music.” – Peter Erskine
“Ignacio plays with intelligence, taste, fire, and soul. His playing combines the finest aspects of Afro-Cuban and American styles of drumming (…) When you hear him play it just makes you feel good, just like a good hot bowl of gumbo!” – Wynton Marsalis
Artist Profile: Adrien Brandeis
Adrien Brandeis is a french jazz pianist and composer born in Annecy. After studying at the Nice conservatory, he moved to Paris in 2018 to study with Manuel Rocheman and graduated from the CRR conservatory in Paris.
In 2017, he produced and released his first album in quintet Euforia, which had great recognition and international success after performing in Asia (Jazzmandu Festival in Nepal, Kolkata International Jazz Festival in India).
Euforia put Adrien Brandeis, in the spotlight of the Jazz scene, and led him to be awarded the prestigious Letter One Rising Stars Jazz Award 2018. This award, which recognizes the best young European jazz artist of the year, opened the doors for him to share his music on the biggest European stages during the summer of 2019: Nice Jazz Festival (France), Umbria Jazz Festival (Italy), Leopolis Jazz Festival (Ukraine), Love Supreme Jazz Festival (England), Heineken Jazzaldia Festival (Spain), Kongsberg Jazz Festival (Norway), JazzOpen Stuttgart (Germany).
Subsequently, he toured Mexico to present Euforia in trio, at the International Jazz and Blues Festival of Zacatecas 2019 and in several theaters in the center of the country.
On the French scene, he has won numerous awards: first prize at the Jazz à Juan 2017, public prize at the Jazz 2017 in Porquerolles, among others.
In Paris, he has collaborated with numerous musicians such as Orlando Poleo, Inor Sotolongo, Damian Nueva, Arnaud Dolmen, Abraham Mansfaroll, Felipe Cabrera and Philippe Ciminato.
Very attached to Latin music, he went to study in Havana, Cuba, with Ernán López-Nussa to perfect his piano skills, in September 2019.
These trips and experiences enriched his piano playing and allowed him to write his second album Meetings, a quartet album with Damian Nueva, Arnaud Dolmen, Inor Sotolongo and special guest Orlando Poleo.
Meetings, released in October 2020, allows him to move towards a more modern sound while maintaining a certain freshness. It was selected as one of the best jazz albums in France in 2020 by TSF Jazz radio.
In 2021, Meetings is presented more than 30 times; including festivals and clubs in France (Altitude Jazz Festival, Festival Jazz en Sol Mineur, Festival Musique en Cour, Duc des Lombards) as well as in Mexico (Festival Internacional de Polanco, Festival Internacional de Irapuato, Ciclo de Jazz del Forum Cultural Guanajuato, Festival EuroJazz, Festival Cultural de Mayo in Jalisco).
After two tours in Mexico in May and November 2021, where he was very well received by the Mexican public, he created a strong bond with this country and was fascinated by its culture and the places he visited.
It is then, that he decided to record his third album Siempre más allá, a testimony of his experiences and his personal tribute to Mexico.
This album was recorded as a quartet, with the musicians with whom he had shared the stage a few months before: Giliard Lopes (Brazil), José Loria Triay (Mexico) and Roberto Vizcaíno Jr. (Cuba).
He also had the collaboration of two great Cuban musicians of the international jazz scene: Horacio “El Negro” Hernández and Roberto Vizcaíno Guillot.
In the summer of 2022, he had outstanding participations in the A to jazz Festival (Bulgaria), Jazz à Toulon (France) as well as a special invitation to the San Jose Summer Jazz Festival (USA). He even had the opportunity to arrange and present his music in Piano Solo in Portugal and England.
YouTube Video – Adrien Brandeis – Siempre más allá (EPK)
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