Notes glide effortlessly in mighty glissandos dancing sensuously from out of the bell of Leo Gandelman’s saxophone on his insanely rhythmic album, VIP VOP. The notes of Mr. Gandelman’s music are never forced out of...
Carol Saboya – Belezas
It is never easy to record repertory music, especially when it is so familiar because of the personality and character of the composers who are associated, but there have been some noteworthy successes in the...
Conversation with Brazilian artist Antonio Adolfo – Chora Baião
Antonio Adolfo grew up in a musical family in Rio de Janeiro (his mother was a violinist in the Brazilian Symphony Orchestra), and began his studies at the age of seven. At seventeen he was already a professional musician. His teachers include Eumir Deodato and the great Nadia Boulanger in Paris. During the 60's he led his own trio and toured with singers Elis Regina and Milton Nascimento. Adolfo wrote tunes that gained great success and have [...]
Concord Picante releases Eliane Elias – Light My Fire
Since the mid-1980s, pianist/vocalist Eliane Elias (pronounced eh-lee-AH-neh eh-LEE-ahs) has grafted various elements of jazz, pop, soul and other styles to her deep Brazilian roots to create a hybrid groove that exists comfortably on any hemisphere. Borrowing from an array of sources and singing in a variety of languages, Elias consistently forges a sound that appeals to listeners of every geographic locale and cultural persuasion [...]
Marcos Amorim Trio – Portraits (Adventure Music – 2010)
The music of guitarist Marcos Amorim penetrates the air so softly as he bends and folds notes gently creating a sort of glimmering light that wraps each note and phrase with a kind of warm glow that flickers and jumps where the accents of the music fall. Amorim is unique in that his music is a gilt-edged melding of Carioca rhythms and an almost vocal version of the ebb-tide of warm Atlantic waters that flavour the special voicings of Rio’s best singers [...]
Antonio Adolfo & Carol Saboya – Lá e Cá (Self Produced – 2010)
Although Antonio Adolfo makes a point to explain his singular style as an amalgam of a very personal style with a distinct infusion of Brazilian phrasing, this may not be necessary at all. Adolfo’s sweeping, symphonic pianistic style and the immaculate sense of swagger is highly recognizable. His virtuoso piano playing echoes with the offbeat of the samba, the irreverent rattle of maracatu and flights of fanciful capoeira. These he incorporates into his often [...]




