In his follow-up to 2007’s Zamazu (Enja/Justin Time), Cuban piano master, Roberto Fonseca deepens his journey into his quasi-mystical musical search. Like the mythical Gilgamesh, the pianist has embarked on a seemingly endless journey, a leap of faith into the musical unknown, to find the tonal center of pain and joy, heartache and ecstasy and yes, in the tradition of the timeless myth, he has set the mystery and magic of artistry that courses through his [...]