As the world continues to awake to the rising tide of undiscovered music and musicians from the South American paradigm—in an almost ironic kind of reversal of Alejo Carpentier’s voyage of musical discovery in Los Pasos Perdidos (E.D.I.A.P.S.A, 1953) or to the English-speaking world The Lost Steps (Alfred Knopf, 1956, Univ. of Minnesota, 2001)—the Cuban violinist Federico Britos celebrates five decades in the lonely and all but forgotten [...]