From the first notes of the lilting, swaggering Afro-Caribbean melody of “Corrente” it is clear that Jovino Santos Neto is on his surreptitious way to making his Quinteto album, Correnteone of his most memorable to date. From there on, whether he is rendering a baião, a choro, marcha, samba or xoté, it is clear that his mastery of crossing rhythms as they collide with the idiom of jazz is sublime. The magical and beguiling polyrhythms of “Two Friends [...]