If anything, Omar Sosa has always been a spiritual artist. Connected for generations with the practice of Santería, Sosa was surrounded by the worship together with a communion of saints, but in a truly Afro-centric manner. The particularly molten staccato of the batá drums has held sway in the melodic rhythms of his music. In fact, some of his finest earlier work has burst forth as out of a spiritual vortex shuffling with forthright swagger, churning in [...]
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